Carousing Peasants

Carousing Peasants
Artist:
Adriaen van Ostade (Dutch, 1610-1685)
Date:
c. 1630
Medium:
Oil on panel 
Dimensions:
16-1/2 x 23-1/8 in. (41.9 x 58.7 cm) 
Credit Line:
The Norton Simon Foundation 
Accession Number:
F.1972.14.P 
Copyright:
© The Norton Simon Foundation 
Not on View
Description

In a rustic interior, a few peasants playfully socialize and drink. Daylight floods the middle of the room, entering through an unseen casement window that has our same vantage point. At the hearth in the background, others are quietly occupied with chores. Ostade evokes the sensation of noise and confusion in the foreground by employing diagonals to describe the room, and to articulate the gestures and postures of the raucous peasants. Exaggerated facial expressions and deft, loose brushwork contribute to the impression of this boisterous scene. Adriaen van Ostade was one of the greatest painters of peasant genre subjects in the Dutch Golden Age. Carousing Peasants exemplifies his early style and the type of low-life scene he produced at the outset of his career.

Though the intention of this type of subject has been debated, they were likely created for comic purpose, to entertain an educated audience at the expense of the peasant. Sophisticated viewers could console themselves by distinguishing their decorum and productivity to the idle, ‘natural’ behavior of the peasant.

Provenance:

Lieut. Colonel Henry Cornwall Legh of High Legh Hall, Knutsford, Cheshire.
L. Venau, Paris; sold 1909 to;
[Galerie F. Kleinberger, Paris, sold 1909 to];
August de Ridder (1836/7-1911), Schloss Schönberg, Frankfurt. Returned 1910 to;
[E.M. Sperling, Galerie F. Kleinberger, Paris, sold 1924 to];
Marczell von Nemes (1866-1930), Budapest (sale, Munich, Frederik Muller, 16 June 1931, lot 56, ill. pl. 25, for m. 8,200).
Private Collection, Switzerland.
[Dr. Peter Nathan, Zurich, consigned June 1971 to];
[Schaeffer Galleries, Inc., New York; stock no. 2678, sold half profit with Nathan, 30 May 1972 to];
The Norton Simon Foundation.

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