Jean-Baptiste Camille Corot based this carefully executed view of Venice on studies made during his three-year stay in Italy in the mid-1830s. Although the work was completed in his studio after his return, Corot's magnificent attention to detail is flawless. The meticulous delineation of each stone, of each architectural element, and even of the costumes of the figures peppered throughout the piazzetta, is exceedingly precise. This technical achievement speaks to the influence of Corot's eighteenth-century predecessor, Canaletto, who was well known for his spectacularly detailed Venetian views, or vedute. Unusual in Corot's paintings, this fastidious approach to his subject provides an interesting comparison to the artist's more often lyrical and expressive works.
- Artist Name: Jean-Baptiste Camille Corot (French, 1796-1875)
- Title: View of Venice: The Piazzetta Seen from the Riva degli Schiavoni
- Date: 1835-1845
- Medium: Oil on canvas
- Dimensions: 18-3/8 x 27 in. (46.7 x 68.6 cm)
- Credit Line: The Norton Simon Foundation
- Accession Number: F.1973.27.P
- Copyright: © The Norton Simon Foundation
Van Wessen by 1905.
Baron Denys Cochin, by 1914.
[Reid & Lefevre, Glasgow, stock no. 468/26; owned jointly with Knoedler, Paris, 1926];
[Reid & Lefevre, London; sold 2 share 14 July 1928 to];
[M. Knoedler & Co., New York; stock no. A274, as Venise quai des Esclavons, sold 2 share 31 January 1930 to];
[Reid & Lefevre, London; sold 30 January 1930 to];
[Galerie Raphaël Gérard, Paris].
[Dieterle & Cie, Paris, sold 14 May 1937, for Ff 257,000, to];
[Tedesco Frères, Paris; stock no. 13057, as Venise, Vue du Quai des Esclavons, sold 14 May 1937, for Ff 300,000, to];
Maurice Coutot (b. 1901), 21 blvd. St Germain, Paris.
?Private collection, Paris.
[Art Moderne la Gradelle; sold June 1970 to];
[Paul Rosenberg & Co., New York, stock no. 6408, sold 26 September 1973 to];
The Norton Simon Foundation.
A Century of French Painting: Exhibition Organised for the Benefit of the French Hospital of New York
- New York, M. Knoedler & Co., 1928-11-12 to 1928-12-08
- Robaut, Alfred, L'Oeuvre de Corot,no. 323 pp. 114-115
- Brettell, Richard R. and Stephen F. Eisenman, Nineteenth-Century Art in the Norton Simon Museum, volume 1,2006,
- Alex Reid & Lefevre: 1926-1976, p. 38-39
- Michel, Emil, Corot (Les Artistes célèbres), p. 22
- Campbell, Sara, Collector Without Walls: Norton Simon and His Hunt for the Best,2010, cat. 981 p. 359
- Roberts, K., The Burlington Magazine,fig. 119 pp. 877, 879
- Blanche, Jacques-Emile, Quatre-vignts ans de peinture libre, 1800-1885,
- Brommer, G., Discovering Art History, p. 25
- Manson, J. B., Apollo, opp p. 276
- Tinterow, Gary; Michael Pantazzi and Vincent Pomarède, Corot 1796-1875,no. 56 pp. 182-183
- Escholier, Raymond, La peinture française: XIXe siècle, p. 146
- Masterpieces from the Norton Simon Museum,1989, p. 116
- Alpatov, Michel, Art de France, pp. 169-175
- Morse, John D., Old Master Paintings in North America,1979, p. 62
- Meier-Graefe, Julius, Corot,pl. XVI p. 47
- McCleery, W., University: A Princeton Quarterly, p. 13
Additional Artwork by Artist
Image reproduction permission may be granted for scholarly or arts related commercial use. All image requests, regardless of their intended purpose, should be submitted via the reproduction request form.
Images may be protected by copyright and other intellectual property rights. Additional permission may be required.
Approved requests for the reproduction of an image will receive a contract detailing all fees and conditions of use of the image. Upon receipt of both the signed contract and full payment, the Office of Rights and Reproductions will provide the image. A complimentary copy of the published material must be provided to the Norton Simon Museum.