In 1865, a twenty-four-year-old Claude Monet made his Salon debut with this picture and its pendant (today in the Kimbell Art Museum), declaring an allegiance to Courbet, Manet, and the Realist avant-garde. We stand on a jetty looking across the harbor at Honfleur, a town on the Normandy Coast where the Seine empties into the English Channel. The sails of fishing boats swell with a wind that stiffens waves in the foreground and sends clouds rolling across the sky. For all its salty immediacy, the picture was painted not outdoors—en plein air—but back in Monet’s Paris studio, on the basis of sketches he had made on-site.
Details
- Artist Name: Claude Monet (French, 1840-1926)
- Title: Mouth of the Seine at Honfleur
- Date: 1865
- Medium: Oil on canvas
- Dimensions: 35-1/4 x 59-1/4 in. (89.5 x 150.5 cm)
- Credit Line: The Norton Simon Foundation
- Accession Number: F.1973.33.2.P
- Copyright: © The Norton Simon Foundation
Object Information
Alfred Cadart, Paris.
Rousselle, sold 24 July 1922 to;
[Bernheim-Jeune, Paris, stock no. 23.095, sold 28 September 1922 to];
Georges Bernheim, Paris, still in 1924, possibly 1926.
Y. de Saint-Albin, Paris;
Jacques de Saint-Albin, Paris, by 1959.
Remond, Geneva.
[Wildenstein & Co., Inc., New York, by 1968, sold 1973 to];
The Norton Simon Foundation.
- Paris, Salon, to
Exposition Claude Monet 1849-1926, organisée au profit de la Société des Amis du Louvre
- Paris, Galerie Durand-Ruel, 1959-05-22 to 1959-09-30
On loan to Toledo Museum of Art
- Toledo Museum of Art, 1974-01-10 to 1974-08-26
Reinstallation of South Wing
- Norton Simon Museum, 1993-10-07 to 1995-08-13
[on loan]
- High Museum of Art, 1980-11-20 to 1981-08-05
Selected Pictures by Claude Monet (1840-1926)
- London, Arthur Tooth and Sons Ltd., 1936-03-12 to 1936-04-04
The Lure of the Water: Impressionists at the Seashore
- Norton Simon Museum, 1993-07-01 to 1993-10-10
Three Centuries of French Art: Selections from The Norton Simon, Inc. Museum of Art and the Norton Simon Foundation_2
- California Palace of the Legion of Honor, 1974-10-19 to 1976-06-15
- Bernard, Bruce, The Impressionists, p. 17
- Monet, Claude, Art News Annual, p. 198
- Malingue, Maurice, Claude Monet, p. 15
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- Czymmek, Götz, Dossier de l'Art, p. 62
- Grappe, Georges, Monet, p. 13
- Mack, Gerstle, Paul Cézanne, p. 187
- Lathom, Xenia, Claude Monet, p. 47
- Léger, Charles, Claude Monet, p. 6
- Mount, Charles Merrill, Monet, pp. 76-77, 86-87, 90-91, 95-97, 403
- Gimpel, René, Art in America, p. 173
- Régamey, R., Gazette des Beaux-Arts, p. 76
- Taillandier, Yvon, Monet, p. 93
- Fels, Florent, Claude Monet, p. 2
- Mauclair, Camille, Claude Monet, p. 6
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- Lanöe-Villène, Georges, Histoire de l'École Française de Paysage depuis Chintreuil jusqu' à 1900, 1905, p. 280
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- Duret, Théodore, Die Impressionisten, 1923, p. 19
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- Fels, Marthe de, La vie de Claude Monet, 1929, p. 73
- Tabarant, Adolphe, La vie artistique au temps de Baudelaire, 1942, p. 425
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- Bazin, Germain, L'époque impressionniste avec notices biographiques et bibliographiques, 1947, p. 10
- Robiquet, Jean, L'impressionnisme vécu, 1948, p. 62
- Reuterswärd, Oscar, Monet: En konstnärshistorik, 1948, fig. 1 pp. 28, 30-31
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- Rich, Daniel Catton, Art Institute of Chicago Quarterly, 1957, p. 28
- Kawachi, Nori, Claude Monet, 1958, p. 19
- Lathève, Jacques, Impressionnistes et Symbolistes devant la presse, 1959, pp. 29-30
- Wildenstein, Daniel, Kindlers Malerei Lexikon, 1967, pp. 466, 470
- Wildenstein, Daniel, Monet. Impressions, 1967, pp. 14, 16
- Bortolatto, Luigina Rossi, L'opera completa di Claude Monet, 1972, no. 8 p. 88
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- Isaacson, Joel, Monet: Le Déjeuner sur l'herbe, 1972, p. 98, n. 8; p. 102, n. 29 pp. 20, 98, 102
- Kimball Art Museum, Catalogue of the Collection, 1972, pp. 200, 202
- Wildenstein, Daniel, Claude Monet: Biographie et catalogue raisonné, 1974, no. 51 pp. 138-139
- Isaacson, Joel, Observation and Reflection: Claude Monet, 1978, fig. 2 pp. 14, 193
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- Monet: A Retrospective, 1985, p. 32
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- The New Painting: Impressionism 1874-1886, 1986, fig. 3 p. 95
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- National Gallery of Scotland, Lighting up the Landscape: French Impressionism and Its Origins, 1986, fig. 4 p. 18
- Skeggs, Douglas, River of Light: Monet's Impressions of the Seine, 1987, pp. 24-25
- Masterpieces from the Norton Simon Museum, 1989, p. 128
- Mathey, François, Les Impressionnistes et leur temps, 1992, p. 72
- Levine, Steven Z., Monet, Narcissus, and Self-Reflection: The Modernist Myth of Self, 1994, fig. 5 p. 4
- Seiberling, Grace, Porticus (Journal of the Memorial Art Gallery of the University of Rochester), 1994, fig. 3 p. 41
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- Philadelphia Museum of Art, Manet and the Sea, 2003, fig. 63 p. 202
- Brettell, Richard R. and Stephen F. Eisenman, Nineteenth-Century Art in the Norton Simon Museum, volume 1, 2006,
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- Gimpel, René, Journal d'un collectionneur, marchand de tableaux, 2011, pp. 253-254
- James H. Rubin, Edouard Manet: Initiale M, L'Oeil, Une Main, 2011, Fig. 87 p. 258
- McKendry, Meredith - Editor, Monet: Impression Sunrise, 2019, pp. 41-42; p. 42 (ill.)
- Ortrud Westheider & Michael Philipp (Editors), Monet: Places, 2020, fig. 4 p. 25 ; p. [24] (ill.)
- Marco Goldin, Il giardino e la luna: Arte dell'Ottocento dal romanticismo all'impressionismo, 2021, pp. 341-348, p. 344-345 (ill.)
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- Fleur Roos Rosa de Carvalho, Lisa Smit and others, 150 Years of Impressionism: The Netherlands Sees the Light, 2024, 33 pp. 54-55, p. 54 (ill.)
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