Coronation of the Virgin Altarpiece: Deposition
1344
Guariento di Arpo (Italian, c.1310-c.1370)
On View
Details
- Artist Name: Guariento di Arpo (Italian, c.1310-c.1370)
- Title: Coronation of the Virgin Altarpiece: Deposition
- Date: 1344
- Culture: Italian
- Medium: Tempera and gold leaf on panel
- Dimensions: 17 1/8 x 15 5/8 in. (43.5 x 39.7 cm)
- Credit Line: Norton Simon Art Foundation
- Accession Number: M.1987.3.10.P
- Copyright: © Norton Simon Art Foundation
Object Information
[on loan]
- Kunsthaus Zürich, to
[on loan]
- Princeton University Art Museum, 1972-07-20 to
White, J., The Burlington Magazine, pp. 517-526
Rowlands, J., The Burlington Magazine, p. 422
D'Arcais, F., Arte Veneta, fig. 13 pp. 9-10, 18
Longhi, R., Paragone, p. 38
Sandberg-Vavalà, E., Art in America, p. 29
Sandberg-Vavalà, E., Art in America, pls. F, H pp. 3-15
Crowe, J.; and G. Cavalcaselle, A History of Painting in Italy, no. 1 p. 241
Berenson, Bernhard, Italian Pictures of the Renaissance, p. 268
Suida, W., Belvedere, pp. 11-14
Eitelberger, R., Osterreichische Blatter für Literatur, p. 993
Cavalcaselle, G., Storia della Pittura Italiana, no. 1 p. 313
Waagen, G., Die Vornehmsten Kunstdenkmaler in Wien, pt. 1, no. 22 p. 302
Schlosser, J., Jahrbuch der Kunstsammlungen, no. 3 p. 16
Katalog der Graf Czernin'schen Gemälde-Galerie in Wien, no. 22
Frimmel, T. von, Blatter für Gemäldekunde, p. 101
Frimmel, T. von, Lexikon der Wiener Gemäldesammlungen, pp. 190-191
Suida, W., Belvedere, p. 67
Coletti, L., Rivista d'Arte, pp. 330, 352, 359
Fitzgerald, A., Memoirs of the American Academy in Rome, pp. 167, 188, 192
Wilczek, K., Katalog der Graf Czerninschen Gemäldegalerie in Wien, no. 22
Coletti, L., I Primitivi, pp. l, liv-lv
Coletti, L., I Padani,
Toesca, P., Storia dell'Arte Italiana, Il Trecento, pp. 714-717
Hutter, H., Jahrbuch der Kunst Sammlunger in Wien, pp. 35-58
D'Arcais, F., tGuariento, pp. 15-19, 74-76
Kruft, H., Neue Literatur zur oberitalianischen Malerei des Trecento, p. 335
Berenson, Bernhard, Italian Pictures of the Renaissance: Central Italian and North Italian Schools, pl. 238 p. 205 (I)
Fiocco, G., Verona e il suo territorio, pt. 2 p. 195
Bettini, S. and L. Puppi, La chiesa degli Eremitani di Padova, pp. 37, 43
Palluchini, R., La Pittura Veneziana del Trecento, pp. 107-108
D'Arcais, F., Guariento: tutta la pittura, pp. 18-22, 52, 59, 62-63
Kaftal, G., Iconography of the Saints in the Painting of North East Italy, pp. 580, 693, 888
White, John, Studies in Late Medieval Italian Art,
Brown, H., A Corpus of Trecento Pictures with Musical Subject Matter, pp. 232-233
Masterpieces from the Norton Simon Museum, pp. 10-11
Caroselli, Susan L., Italian Panel Painting of the Early Renaissance in the Collection of the Los Angeles County Museum of Art, fig. 5 pp. 13-14
Siena, Florence and Padua: Art, Society and Religion 1280-1400, pp. 211-212, 262, 266, 278
Tieto, Paolo, Respice Stellam, pp. v-vi.
Banzato, Davide, Giotto e il suo tempo, pp. 176-177, 180
Tieto, Paolo, Madre di Dio: Iconografia mariana lungo i secoli a Piove di Sacco, pp. 27-28, 29-31
Campbell, Sara, Collector Without Walls: Norton Simon and His Hunt for the Best, cat. 815 p. 341
Rowlands, J., The Burlington Magazine, p. 422
D'Arcais, F., Arte Veneta, fig. 13 pp. 9-10, 18
Longhi, R., Paragone, p. 38
Sandberg-Vavalà, E., Art in America, p. 29
Sandberg-Vavalà, E., Art in America, pls. F, H pp. 3-15
Crowe, J.; and G. Cavalcaselle, A History of Painting in Italy, no. 1 p. 241
Berenson, Bernhard, Italian Pictures of the Renaissance, p. 268
Suida, W., Belvedere, pp. 11-14
Eitelberger, R., Osterreichische Blatter für Literatur, p. 993
Cavalcaselle, G., Storia della Pittura Italiana, no. 1 p. 313
Waagen, G., Die Vornehmsten Kunstdenkmaler in Wien, pt. 1, no. 22 p. 302
Schlosser, J., Jahrbuch der Kunstsammlungen, no. 3 p. 16
Katalog der Graf Czernin'schen Gemälde-Galerie in Wien, no. 22
Frimmel, T. von, Blatter für Gemäldekunde, p. 101
Frimmel, T. von, Lexikon der Wiener Gemäldesammlungen, pp. 190-191
Suida, W., Belvedere, p. 67
Coletti, L., Rivista d'Arte, pp. 330, 352, 359
Fitzgerald, A., Memoirs of the American Academy in Rome, pp. 167, 188, 192
Wilczek, K., Katalog der Graf Czerninschen Gemäldegalerie in Wien, no. 22
Coletti, L., I Primitivi, pp. l, liv-lv
Coletti, L., I Padani,
Toesca, P., Storia dell'Arte Italiana, Il Trecento, pp. 714-717
Hutter, H., Jahrbuch der Kunst Sammlunger in Wien, pp. 35-58
D'Arcais, F., tGuariento, pp. 15-19, 74-76
Kruft, H., Neue Literatur zur oberitalianischen Malerei des Trecento, p. 335
Berenson, Bernhard, Italian Pictures of the Renaissance: Central Italian and North Italian Schools, pl. 238 p. 205 (I)
Fiocco, G., Verona e il suo territorio, pt. 2 p. 195
Bettini, S. and L. Puppi, La chiesa degli Eremitani di Padova, pp. 37, 43
Palluchini, R., La Pittura Veneziana del Trecento, pp. 107-108
D'Arcais, F., Guariento: tutta la pittura, pp. 18-22, 52, 59, 62-63
Kaftal, G., Iconography of the Saints in the Painting of North East Italy, pp. 580, 693, 888
White, John, Studies in Late Medieval Italian Art,
Brown, H., A Corpus of Trecento Pictures with Musical Subject Matter, pp. 232-233
Masterpieces from the Norton Simon Museum, pp. 10-11
Caroselli, Susan L., Italian Panel Painting of the Early Renaissance in the Collection of the Los Angeles County Museum of Art, fig. 5 pp. 13-14
Siena, Florence and Padua: Art, Society and Religion 1280-1400, pp. 211-212, 262, 266, 278
Tieto, Paolo, Respice Stellam, pp. v-vi.
Banzato, Davide, Giotto e il suo tempo, pp. 176-177, 180
Tieto, Paolo, Madre di Dio: Iconografia mariana lungo i secoli a Piove di Sacco, pp. 27-28, 29-31
Campbell, Sara, Collector Without Walls: Norton Simon and His Hunt for the Best, cat. 815 p. 341
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