Coronation of the Virgin Altarpiece: Angel of the Annunciation
1344
Guariento di Arpo (Italian, c.1310-c.1370)
On View
Details
- Artist Name: Guariento di Arpo (Italian, c.1310-c.1370)
- Title: Coronation of the Virgin Altarpiece: Angel of the Annunciation
- Date: 1344
- Medium: Tempera and gold leaf on panel
- Dimensions: 13-3/8 x 12-1/2 in. (34.0 x 31.8 cm)
- Credit Line: Norton Simon Art Foundation
- Accession Number: M.1987.3.16.P
- Copyright: © Norton Simon Art Foundation
Object Information
- Berenson, Bernhard, Italian Pictures of the Renaissance: Central Italian and North Italian Schools,pl. 238 p. 205 (I)
- Suida, W., Belvedere, p. 67
- Tieto, Paolo, Madre di Dio: Iconografia mariana lungo i secoli a Piove di Sacco, pp. 27-28, 29-31
- D'Arcais, F., Arte Veneta,fig. 13 pp. 9-10, 18
- Waagen, G., Die Vornehmsten Kunstdenkmaler in Wien,pt. 1, no. 22 p. 302
- Brown, H., A Corpus of Trecento Pictures with Musical Subject Matter, pp. 232-233
- Sandberg-Vavalà, E., Art in America, p. 29
- Fiocco, G., Verona e il suo territorio,pt. 2 p. 195
- Coletti, L., Rivista d'Arte, pp. 330, 352, 359
- D'Arcais, Francesca, et. al., Guariento: il maestro degli angeli,2011, Fig. 4 p. 20
- Hutter, H., Jahrbuch der Kunst Sammlunger in Wien, pp. 35-58
- Schlosser, J., Jahrbuch der Kunstsammlungen,no. 3 p. 16
- Siena, Florence and Padua: Art, Society and Religion 1280-1400, pp. 211-212, 262, 266, 278
- Coletti, L., I Primitivi, pp. l, liv-lv
- Bettini, S. and L. Puppi, La chiesa degli Eremitani di Padova, pp. 37, 43
- Campbell, Sara, Collector Without Walls: Norton Simon and His Hunt for the Best,2010, cat. 815 p. 341
- Suida, W., Belvedere, pp. 11-14
- Palluchini, R., La Pittura Veneziana del Trecento, pp. 107-108
- Katalog der Graf Czernin'schen Gemälde-Galerie in Wien,no. 22
- The Dictionary of Art, pp. 746-747
- Coletti, L., I Padani,
- D'Arcais, F., Guariento: tutta la pittura, pp. 18-22, 52, 59, 62-63
- Fitzgerald, A., Memoirs of the American Academy in Rome, pp. 167, 188, 192
- D'Arcais, F., tGuariento, pp. 15-19, 74-76
- Frimmel, T. von, Blatter für Gemäldekunde, p. 101
- Masterpieces from the Norton Simon Museum,1989, pp. 10-11
- Toesca, P., Storia dell'Arte Italiana, Il Trecento, pp. 714-717
- White, J., The Burlington Magazine, pp. 517-526
- Caroselli, Susan L., Italian Panel Painting of the Early Renaissance in the Collection of the Los Angeles County Museum of Art,fig. 5 pp. 13-14
- Berenson, Bernhard, Italian Pictures of the Renaissance, p. 268
- Kruft, H., Neue Literatur zur oberitalianischen Malerei des Trecento, p. 335
- Crowe, J.; and G. Cavalcaselle, A History of Painting in Italy,no. 1 p. 241
- Tieto, Paolo, Respice Stellam, pp. v-vi.
- Palluchini, R., "La Pittura Veneziana del Trecento", pp. 198-199
- Eitelberger, R., Osterreichische Blatter für Literatur, p. 993
- White, John, Studies in Late Medieval Italian Art,
- Sandberg-Vavalà, E., Art in America,pls. F, H pp. 3-15
- Rowlands, J., The Burlington Magazine, p. 422
- Frimmel, T. von, Lexikon der Wiener Gemäldesammlungen, pp. 190-191
- Banzato, Davide, Giotto e il suo tempo, pp. 176-177, 180
- Longhi, R., Paragone, p. 38
- Cavalcaselle, G., Storia della Pittura Italiana,no. 1 p. 313
- Kaftal, G., Iconography of the Saints in the Painting of North East Italy, pp. 580, 693, 888
- Wilczek, K., Katalog der Graf Czerninschen Gemäldegalerie in Wien,no. 22
Additional Artwork by Artist
Image reproduction permission may be granted for scholarly or arts related commercial use. All image requests, regardless of their intended purpose, should be submitted via the reproduction request form.
Images may be protected by copyright and other intellectual property rights. Additional permission may be required.
Approved requests for the reproduction of an image will receive a contract detailing all fees and conditions of use of the image. Upon receipt of both the signed contract and full payment, the Office of Rights and Reproductions will provide the image. A complimentary copy of the published material must be provided to the Norton Simon Museum.