Still Life with Cherries, Strawberries and Gooseberries
Louise Moillon (French, 1610-1696)
On View

Louise Moillon was one of the finest still-life painters in France in the first half of the 17th century. This spectacular painting, one of the few examples by Moillon in an American collection, was painted when the artist was 20 years of age. Her specialty was the meticulous rendering of fruits, and this still life epitomizes her success, displaying a restrained elegance and an idealized, classical perfection in all its components. Gooseberries, strawberries, cherries and a sprig of currants are represented as flawless specimens. The pristine blue-and-white porcelain bowls, the droplets of water and the small basket reflect her conservative but intense and highly ordered vision of the world. Whether the still-life paintings by Moillon and her French contemporaries, including Jacques Linard, lacked or eschewed the sophistication and panache of their Dutch counterparts, it is apparent that these painters embraced an entirely different aesthetic—one that was quieter, more contemplative and still satisfying in its own right.


  • Artist Name: Louise Moillon (French, 1610-1696)
  • Title: Still Life with Cherries, Strawberries and Gooseberries
  • Date: 1630
  • Medium: Oil on panel
  • Dimensions: 12-5/8 x 19-1/8 in. (32.1 x 48.6 cm)
  • Credit Line: The Norton Simon Foundation
  • Accession Number: F.1972.36.2.P
  • Copyright: © The Norton Simon Foundation

Object Information

Owen Grazebrook, Stourton Castle, Stourbridge, Worcestershire, 1920 (sale, London, Sotheby's, 25 November 1970, lot 8, as Still Life, to);
[Duits, Ltd., London, stock no. 2007, sold 21 April 1972 to];
[Edward Speelman, Ltd., London, sold 31 August 1972 to];
The Norton Simon Foundation.

Reinstallation of Galleries: Art History of the 17th and 18th Century Gains Fresh Dimension

  • Norton Simon Museum, 1993-09-02 to 1995-08-13

Significant Objects: The Spell of Still Life

  • Norton Simon Museum, 2012-07-20 to 2013-01-21

Three Centuries of French Art: Selections from The Norton Simon, Inc. Museum of Art and The Norton Simon Foundation_1

  • California Palace of the Legion of Honor, 1973-05-03 to 1976-06-15
  • Coyecque, E., Bulletin de la Société de l'histoire de l'art français, p. 82
  • Benedict, Kurt, Maanblad voor Beeldende Kunsten, pp. 29-30
  • Faré, Michel, Arts,
  • Art at Auction, p. 64
  • Rosenberg, Pierre, France in the Golden Age: Seventeenth-Century French Paintings in American Collections, no. 73
  • Wright, Christopher, The French Painters of the Seventeenth Century, fig. 54 p. 99
  • Piland, Sherry, Women Artists: An Historical, Contemporary and Feminist Bibliography, pl. 7
  • Bloch, Vitale, Maanblad voor Beeldende Kunsten, 1948, pp. 58-59
  • Sterling, Charles, La nature morte, 1952, no. 4
  • Harris, Ann Sutherland; and Linda Nochlin, Women Artists: 1550-1950, 1978, no. 3 p. 141
  • Heller, Nancy, Women Artists: An Illustrated History, 1987, fig. 21 pp. 37-38
  • Masterpieces from the Norton Simon Museum, 1989, p. 72
  • Bachmann, Donna G.; and Sherry Piland, Women Artists: An Historical, Contemporary and Feminist Bibliography, 1994, p. 90
  • Monique Crick (author of the essay), Societe des Amis du Musee de la Compagnie des Indes (Annual publication of essays), 2002, fig. 3 p. 39
  • Alsina, Domenique, Louyse Moillion (Paris, vers 1610-1696) La nature morte au Grand Siècle, 2009, fig. VIII p.123, No. 8
  • Campbell, Sara, Collector Without Walls: Norton Simon and His Hunt for the Best, 2010, cat. 845 p. 344
  • Neuman, Robert, Baroque and Rococo Art and Architecture, 2012, Fig. 9.14 p. 273
  • Anthony Speelman, A Tale of Two Monkeys – Adventures in the Art World, 2022, fig. 47 pp. 126-131, p. 128 (ill.)
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Additional Artwork by Artist

Still Life with Bowl of Bitter Oranges and a Lemon Louise Moillon 1634

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