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Artist : Goya y Lucientes, Francisco de (Spanish, 1746-1828)

Masquerades of Holy Week in the year [illeg.] (Mascaras de semana santa del año [illeg.]) (verso)
Masquerades of Holy Week in the year [illeg.] (Mascaras de semana santa del año [illeg.]) (verso) 1796-1797 Francisco de Goya y Lucientes (Spanish, 1746-1828) Brushed India ink on paper
Copies after Velázquez: Un infante de España (Infante Don Fernando)
Copies after Velázquez: Un infante de España (Infante Don Fernando) c. 1778-79 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching with burnished aquatint and drypoint or burin, roulette and burnisher on heavy laid paper with engraved letters
Disparates–L’Art Edition: Well-Known Folly (Disparate conocido)
Disparates–L’Art Edition: Well-Known Folly (Disparate conocido) Posthumous, before 1877 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching and burnished aquatint on China paper
ON VIEW
The Bulls of Bordeaux: The Famous American Indian, Mariano Ceballos (El famoso Americano, Mariano Ceballos)
The Bulls of Bordeaux: The Famous American Indian, Mariano Ceballos (El famoso Americano, Mariano Ceballos) 1825 Francisco de Goya y Lucientes (Spanish, 1746-1828) Lithographic crayon and scraper on wove paper
The Bulls of Bordeaux: Bravo toro/ Picador Caught by a Bull
The Bulls of Bordeaux: Bravo toro/ Picador Caught by a Bull 1825 Francisco de Goya y Lucientes (Spanish, 1746-1828) Lithographic crayon and scraper on wove paper
The Bulls of Bordeaux: Bullfight in a Divided Ring
The Bulls of Bordeaux: Bullfight in a Divided Ring 1825 Francisco de Goya y Lucientes (Spanish, 1746-1828) Lithographic crayon and scraper on wove paper
Copies after Velázquez: Isabel de Borbón
Copies after Velázquez: Isabel de Borbón 1778-79 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching and drypoint on heavy laid paper with engraved letters
Disparates
Disparates 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
Disparates: Feminine Folly (Disparate femenino)
Disparates: Feminine Folly (Disparate femenino) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
Desastres de la Guerra
Desastres de la Guerra c. 1810-15 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Desastres de la Guerra: Sad Forebodings of What is Going to Happen (Tristes Presentimientos De Lo Que Ha De Acontecer)
Desastres de la Guerra: Sad Forebodings of What is Going to Happen (Tristes Presentimientos De Lo Que Ha De Acontecer) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Rightly or Wrongly (Con Razon Ó Sin Ella)
Desastres de la Guerra: Rightly or Wrongly (Con Razon Ó Sin Ella) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: The Same (Lo Mismo)
Desastres de la Guerra: The Same (Lo Mismo) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: The Women Give Courage (Las Mugeres Dan Valor)
Desastres de la Guerra: The Women Give Courage (Las Mugeres Dan Valor) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: And They Are Like Wild Beasts (Y Son Fieras)
Desastres de la Guerra: And They Are Like Wild Beasts (Y Son Fieras) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: It Serves You Right (Bien Te Se Está)
Desastres de la Guerra: It Serves You Right (Bien Te Se Está) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: What Courage! (Que Valor!)
Desastres de la Guerra: What Courage! (Que Valor!) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: It Always Happens (Siempre Sucede)
Desastres de la Guerra: It Always Happens (Siempre Sucede) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: They Don't Like It (No Quieren)
Desastres de la Guerra: They Don't Like It (No Quieren) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Nor [Do These] Either (Tampoco)
Desastres de la Guerra: Nor [Do These] Either (Tampoco) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Neither Do These (Ni Por Esas)
Desastres de la Guerra: Neither Do These (Ni Por Esas) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: This Is What You Were Born For (Para Eso Nacido)
Desastres de la Guerra: This Is What You Were Born For (Para Eso Nacido) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Bitter to Be Present (Amarga Presencia)
Desastres de la Guerra: Bitter to Be Present (Amarga Presencia) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: It's a Hard Step! (Duro Es El Paso!)
Desastres de la Guerra: It's a Hard Step! (Duro Es El Paso!) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: And There's No Help for It (Y No Hai Remedio)
Desastres de la Guerra: And There's No Help for It (Y No Hai Remedio) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: They Make Use of Them (Se Aprovechan)
Desastres de la Guerra: They Make Use of Them (Se Aprovechan) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: They Do Not Agree (No Se Convienen)
Desastres de la Guerra: They Do Not Agree (No Se Convienen) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Bury Them and Keep Quiet (Enterrar y Callar)
Desastres de la Guerra: Bury Them and Keep Quiet (Enterrar y Callar) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: There Isn't Time Now (Ya No Hay Tiempo)
Desastres de la Guerra: There Isn't Time Now (Ya No Hay Tiempo) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Get Them Well, and on to the Next (Curarlos, y Á Otra)
Desastres de la Guerra: Get Them Well, and on to the Next (Curarlos, y Á Otra) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: It Will Be the Same (Será Lo Mismo)
Desastres de la Guerra: It Will Be the Same (Será Lo Mismo) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Even Worse (Tanto y Mas)
Desastres de la Guerra: Even Worse (Tanto y Mas) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: The Same Elsewhere (Lo Mismo En Otras Partes)
Desastres de la Guerra: The Same Elsewhere (Lo Mismo En Otras Partes) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: They Can Still Be of Use (Aun Podrán Servir)
Desastres de la Guerra: They Can Still Be of Use (Aun Podrán Servir) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: These Too (Tambien Estos)
Desastres de la Guerra: These Too (Tambien Estos) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: One Can't Look (No Se Puede Mirar)
Desastres de la Guerra: One Can't Look (No Se Puede Mirar) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Charity (Caridad)
Desastres de la Guerra: Charity (Caridad) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Rabble (Populacho)
Desastres de la Guerra: Rabble (Populacho) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: He Deserved It (Lo Merecia)
Desastres de la Guerra: He Deserved It (Lo Merecia) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Ravages of War (Estragos De La Guerra)
Desastres de la Guerra: Ravages of War (Estragos De La Guerra) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: That's Tough! (Fuerte Cosa Es!)
Desastres de la Guerra: That's Tough! (Fuerte Cosa Es!) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Why? (Por Qué?)
Desastres de la Guerra: Why? (Por Qué?) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: What More Can Be Done? (Qué Hai Que Hacer Mas?)
Desastres de la Guerra: What More Can Be Done? (Qué Hai Que Hacer Mas?) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: On Account of a Knife (Por Una Navaja)
Desastres de la Guerra: On Account of a Knife (Por Una Navaja) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: One Can't Tell Why (No Se Puede Saber Por Qué)
Desastres de la Guerra: One Can't Tell Why (No Se Puede Saber Por Qué) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Not [in This Case] Either (Tampoco)
Desastres de la Guerra: Not [in This Case] Either (Tampoco) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: This Is Worse (Esto Es Peor)
Desastres de la Guerra: This Is Worse (Esto Es Peor) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Barbarians! (Bárbaros!)
Desastres de la Guerra: Barbarians! (Bárbaros!) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: An Heroic Feat! With Dead Men! (Grande Hazaña! Con Muertos!)
Desastres de la Guerra: An Heroic Feat! With Dead Men! (Grande Hazaña! Con Muertos!) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: He Gets Something Out of It (Algun Partido Saca)
Desastres de la Guerra: He Gets Something Out of It (Algun Partido Saca) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: They Escape through the Flames (Escapan Entre Las Llamas)
Desastres de la Guerra: They Escape through the Flames (Escapan Entre Las Llamas) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Everything is Topsy-Turvy (Todo Va Revuelto)
Desastres de la Guerra: Everything is Topsy-Turvy (Todo Va Revuelto) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: This Too (Tambien Esto)
Desastres de la Guerra: This Too (Tambien Esto) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: I Saw It (Yo Lo Vi)
Desastres de la Guerra: I Saw It (Yo Lo Vi) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: And This Too (Y Esto Tambien)
Desastres de la Guerra: And This Too (Y Esto Tambien) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: This is Bad (Esto es Malo)
Desastres de la Guerra: This is Bad (Esto es Malo) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: This Is How It Happened (Así Sucedió)
Desastres de la Guerra: This Is How It Happened (Así Sucedió) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Cruel Tale of Woe! (Cruel Lástima!)
Desastres de la Guerra: Cruel Tale of Woe! (Cruel Lástima!) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: A Woman's Charity (Caridad De Una Muger)
Desastres de la Guerra: A Woman's Charity (Caridad De Una Muger) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Unhappy Mother! (Madre Infeliz!)
Desastres de la Guerra: Unhappy Mother! (Madre Infeliz!) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Thanks to the Millet (Gracias Á La Almorta)
Desastres de la Guerra: Thanks to the Millet (Gracias Á La Almorta) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: They Do Not Arrive in Time (No Llegan Á Tiempo)
Desastres de la Guerra: They Do Not Arrive in Time (No Llegan Á Tiempo) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: There Was Nothing to Be Done and He Died (Espiró Sin Remedio)
Desastres de la Guerra: There Was Nothing to Be Done and He Died (Espiró Sin Remedio) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Appeals Are in Vain (Clamores En Vano)
Desastres de la Guerra: Appeals Are in Vain (Clamores En Vano) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: The Worst Is to Beg (Lo Peor Es Pedir)
Desastres de la Guerra: The Worst Is to Beg (Lo Peor Es Pedir) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: To the Cemetery (Al Cementerio)
Desastres de la Guerra: To the Cemetery (Al Cementerio) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: The Healthy and the Sick (Sanos Y Enfermos)
Desastres de la Guerra: The Healthy and the Sick (Sanos Y Enfermos) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: It's No Use Crying Out (No Hay Que Dar Voces)
Desastres de la Guerra: It's No Use Crying Out (No Hay Que Dar Voces) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: What is the Use of a Cup? (De Qué Sirve Una Taza?)
Desastres de la Guerra: What is the Use of a Cup? (De Qué Sirve Una Taza?) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: There Is No One to Help Them (No Hay Quien Los Socorra)
Desastres de la Guerra: There Is No One to Help Them (No Hay Quien Los Socorra) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Perhaps They Are of Another Breed (Si Son De Otro Linage)
Desastres de la Guerra: Perhaps They Are of Another Breed (Si Son De Otro Linage) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Tauromaquia: Charles V Spearing a Bull in the Ring at Valladolid (Carlos V Lanceando un Toro en la Plaza de Valladolid)
Tauromaquia: Charles V Spearing a Bull in the Ring at Valladolid (Carlos V Lanceando un Toro en la Plaza de Valladolid) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Cid Campeador Spearing Another Bull (El Cid Campeador Lanceando Otro Toro)
Tauromaquia: The Cid Campeador Spearing Another Bull (El Cid Campeador Lanceando Otro Toro) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms (Desjarrete de la Canalla con Lanzas, Medias-Lunas, Banderillas y Otras Armas
Tauromaquia: The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms (Desjarrete de la Canalla con Lanzas, Medias-Lunas, Banderillas y Otras Armas 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants (Un Caballero Español en Plaza Quebrando Rejoncillos Sin Auxilio de los Chulos
Tauromaquia: A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants (Un Caballero Español en Plaza Quebrando Rejoncillos Sin Auxilio de los Chulos 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body (El Diestrísimo Estudiante de Falces, Embozado Burla al Toro con sus Quiebros)
Tauromaquia: The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body (El Diestrísimo Estudiante de Falces, Embozado Burla al Toro con sus Quiebros) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Famous Martincho Places the Banderillas Playing the Bull with the Movement of His Body (El Famoso Martincho Poniendo Banderillas Al Quiebro)
Tauromaquia: The Famous Martincho Places the Banderillas Playing the Bull with the Movement of His Body (El Famoso Martincho Poniendo Banderillas Al Quiebro) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Same Man Throws a Bull in the Ring at Madrid (El Mismo Vuelca un Toro en la Plaza de Madrid)
Tauromaquia: The Same Man Throws a Bull in the Ring at Madrid (El Mismo Vuelca un Toro en la Plaza de Madrid) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Moors Use Donkeys As a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls (Palenque de los Moros con Burros Para Defenderse del Toro Embolado)
Tauromaquia: The Moors Use Donkeys As a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls (Palenque de los Moros con Burros Para Defenderse del Toro Embolado) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Daring of Martincho in the Ring at Saragossa (Temeridad de Martincho en la Plaza de Zaragoza)
Tauromaquia: The Daring of Martincho in the Ring at Saragossa (Temeridad de Martincho en la Plaza de Zaragoza) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: Another Madness of His in the Same Ring (Otra Locura Suya en la Misma Plaza)
Tauromaquia: Another Madness of His in the Same Ring (Otra Locura Suya en la Misma Plaza) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Agility and Audacity of Juanito Apiñani in [the Ring] at Madrid (Ligereza y Atrevimiento de Juanito Apiñani en la de Madrid)
Tauromaquia: The Agility and Audacity of Juanito Apiñani in [the Ring] at Madrid (Ligereza y Atrevimiento de Juanito Apiñani en la de Madrid) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon (Desgracias Acaecidas en el Tendido de la Plaza de Madrid, y Muerte del Alcalde de Torrejon)
Tauromaquia: Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon (Desgracias Acaecidas en el Tendido de la Plaza de Madrid, y Muerte del Alcalde de Torrejon) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: Manly Courage of the Celebrated Pajuelera in [the Ring] at Saragosa (Valor Varonil d la Célebre Pajuelera en la de Zaragoza)
Tauromaquia: Manly Courage of the Celebrated Pajuelera in [the Ring] at Saragosa (Valor Varonil d la Célebre Pajuelera en la de Zaragoza) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse (Mariano Ceballos, Alias el Indio, Mata el Toro Desde su Caballo)
Tauromaquia: Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse (Mariano Ceballos, Alias el Indio, Mata el Toro Desde su Caballo) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid (El Mismo Ceballos Montado Sobre Otro Toro Quiebra Rejones en la Plaza Madrid)
Tauromaquia: The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid (El Mismo Ceballos Montado Sobre Otro Toro Quiebra Rejones en la Plaza Madrid) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: They Loose Dogs on the Bull (Echan Perros Al Toro)
Tauromaquia: They Loose Dogs on the Bull (Echan Perros Al Toro) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: A Picador Is Unhorsed and Falls Under the Bull (Caida de un Picador de su Caballo Debajo del Toro)
Tauromaquia: A Picador Is Unhorsed and Falls Under the Bull (Caida de un Picador de su Caballo Debajo del Toro) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique (El Célebre Fernando del Toro, Barilarguero, Obligando Á la Fiera con su Garrocha)
Tauromaquia: The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique (El Célebre Fernando del Toro, Barilarguero, Obligando Á la Fiera con su Garrocha) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Forceful Rendon Stabs a Bull with the Pique, From Which Pass He Died in the Ring at Madrid (El Esforzado Rendon Picando un Toro, de Cuya Suerte Murió en la Plaza de Madrid)
Tauromaquia: The Forceful Rendon Stabs a Bull with the Pique, From Which Pass He Died in the Ring at Madrid (El Esforzado Rendon Picando un Toro, de Cuya Suerte Murió en la Plaza de Madrid) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: Pepe Illo Making the Pass of the "Recorte" (Pepe Illo Haciendo el Recorte al Toro)
Tauromaquia: Pepe Illo Making the Pass of the "Recorte" (Pepe Illo Haciendo el Recorte al Toro) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: Pedro Romero Killing the Halted Bull (Pedro Romero Matando Á Toro Parado)
Tauromaquia: Pedro Romero Killing the Halted Bull (Pedro Romero Matando Á Toro Parado) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: Banderillas with Firecrackers (Banderillas de Fuego)
Tauromaquia: Banderillas with Firecrackers (Banderillas de Fuego) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: Two Teams of Picadors Thrown One After the Other by a Single Bull (Dos Grupos de Picadores Arrollados de Seguida por un Solo Toro)
Tauromaquia: Two Teams of Picadors Thrown One After the Other by a Single Bull (Dos Grupos de Picadores Arrollados de Seguida por un Solo Toro) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Unlucky Death of Pepe Illo in the Ring at Madrid (La Desgraciada Muerte de Pepe Illo en la Plaza de Madrid)
Tauromaquia: The Unlucky Death of Pepe Illo in the Ring at Madrid (La Desgraciada Muerte de Pepe Illo en la Plaza de Madrid) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Disparates: Giant (Bobalicón)
Disparates: Giant (Bobalicón) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
Desastres de la Guerra: To the Cemetery (Al Cementerio)
Desastres de la Guerra: To the Cemetery (Al Cementerio) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: The Healthy and the Sick (Sanos Y Enfermos)
Desastres de la Guerra: The Healthy and the Sick (Sanos Y Enfermos) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: It's No Use Crying Out (No Hay Que Dar Voces)
Desastres de la Guerra: It's No Use Crying Out (No Hay Que Dar Voces) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: What is the Use of a Cup? (De Qué Sirve Una Taza?)
Desastres de la Guerra: What is the Use of a Cup? (De Qué Sirve Una Taza?) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: There Is No One to Help Them (No Hay Quien Los Socorra)
Desastres de la Guerra: There Is No One to Help Them (No Hay Quien Los Socorra) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Perhaps They Are of Another Breed (Si Son De Otro Linage)
Desastres de la Guerra: Perhaps They Are of Another Breed (Si Son De Otro Linage) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: The Beds of Death (Las Camas De La Muerte)
Desastres de la Guerra: The Beds of Death (Las Camas De La Muerte) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Harvest of the Dead (Muertos Recogidos)
Desastres de la Guerra: Harvest of the Dead (Muertos Recogidos) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Cartloads to the Cemetery (Carretadas Al Cementerio)
Desastres de la Guerra: Cartloads to the Cemetery (Carretadas Al Cementerio) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: What Is This Hubbub? (Qué Alboroto es Este?)
Desastres de la Guerra: What Is This Hubbub? (Qué Alboroto es Este?) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Strange Devotion! (Extraña Devocion!)
Desastres de la Guerra: Strange Devotion! (Extraña Devocion!) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: This is Not Less So (Esta No Lo Es Menos)
Desastres de la Guerra: This is Not Less So (Esta No Lo Es Menos) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: What Madness! (Que Locura!)
Desastres de la Guerra: What Madness! (Que Locura!) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Nothing. The Event Will Tell (Nada. Ello Dirá)
Desastres de la Guerra: Nothing. The Event Will Tell (Nada. Ello Dirá) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: They Do Not Know the Way (No Saben El Camino)
Desastres de la Guerra: They Do Not Know the Way (No Saben El Camino) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Against the Common Good (Contra El Bien General)
Desastres de la Guerra: Against the Common Good (Contra El Bien General) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: The Consequences (Las Resultas)
Desastres de la Guerra: The Consequences (Las Resultas) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Feline Pantomime (Gatesca Pantomima)
Desastres de la Guerra: Feline Pantomime (Gatesca Pantomima) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: That is the Worst of It! (Esto Es Lo Peor!)
Desastres de la Guerra: That is the Worst of It! (Esto Es Lo Peor!) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Charlatans' Show (Farándula De Charlatanes)
Desastres de la Guerra: Charlatans' Show (Farándula De Charlatanes) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: The Carnivorous Vulture (El Buitre Carnívoro)
Desastres de la Guerra: The Carnivorous Vulture (El Buitre Carnívoro) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: May the Cord Break (Que se Rompe la Cuerda)
Desastres de la Guerra: May the Cord Break (Que se Rompe la Cuerda) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: He Defends Himself Well (Se Defiende Bien)
Desastres de la Guerra: He Defends Himself Well (Se Defiende Bien) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Truth Has Died (Murió La Verdad)
Desastres de la Guerra: Truth Has Died (Murió La Verdad) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Will She Rise Again? (Si Resucitará?)
Desastres de la Guerra: Will She Rise Again? (Si Resucitará?) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Disparates–L’Art Edition: Fool's Folly (Disparate de tontos)
Disparates–L’Art Edition: Fool's Folly (Disparate de tontos) Posthumous, Before 1877 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, aquatint, and drypoint “scratching” on thin laid Japan paper
ON VIEW
Disparates
Disparates c. 1848-54 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, burin, and drypoint in gray-black ink on thinnish wove paper
May God Repay You / Blind Man Tossed on the Horns of a Bull (Dios se lo pague a usted / Aveugle enlevé sur les cornes d’un taureau)
May God Repay You / Blind Man Tossed on the Horns of a Bull (Dios se lo pague a usted / Aveugle enlevé sur les cornes d’un taureau) 1867 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, aquatint and drypoint on laid paper with posthumous engraved letters
Copies after Velázquez: Gaspar de Guzman, conde-duque de Olivares
Copies after Velázquez: Gaspar de Guzman, conde-duque de Olivares 1778-79 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching on laid paper with engraved letters
Desastres de la Guerra
Desastres de la Guerra 1937 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Caprichos
Caprichos 1878 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on wove paper
The Bordeaux Etchings: Late Caprichos of Goya: Warlock on a Swing among Demons/ Old Man on a Swing
The Bordeaux Etchings: Late Caprichos of Goya: Warlock on a Swing among Demons/ Old Man on a Swing Published 1971 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint and burin on wove paper
The Bordeaux Etchings: Late Caprichos of Goya: After Goya: Witch on a Swing/ Old Woman on a Swing, Plate A verso
The Bordeaux Etchings: Late Caprichos of Goya: After Goya: Witch on a Swing/ Old Woman on a Swing, Plate A verso Published 1971 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint and burin on wove paper
The Bordeaux Etchings: Late Caprichos of Goya: Maja against a Background with Demons/ Maja—dark background
The Bordeaux Etchings: Late Caprichos of Goya: Maja against a Background with Demons/ Maja—dark background Published 1971 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint and burin on wove paper
The Bordeaux Etchings: Late Caprichos of Goya: After Goya: Maja / Maja—light background, Plate C verso
The Bordeaux Etchings: Late Caprichos of Goya: After Goya: Maja / Maja—light background, Plate C verso Published 1971 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint and burin on wove paper
The Bordeaux Etchings: Late Caprichos of Goya: Andalusian Smuggler / The Cloaked Man
The Bordeaux Etchings: Late Caprichos of Goya: Andalusian Smuggler / The Cloaked Man Published 1971 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint and burin on wove paper
The Bordeaux Etchings: Late Caprichos of Goya: After Goya: Andalusian Smuggler, with Bull / The Old Bullfighter, Plate E verso
The Bordeaux Etchings: Late Caprichos of Goya: After Goya: Andalusian Smuggler, with Bull / The Old Bullfighter, Plate E verso Published 1971 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint and burin on wove paper
Disparates
Disparates 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
Tauromaquia
Tauromaquia 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country (Modo Con Que Los Antiguos Españoles Cazaban Los Toros á Caballo en el Campo)
Tauromaquia: The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country (Modo Con Que Los Antiguos Españoles Cazaban Los Toros á Caballo en el Campo) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: Another Way of Hunting on Foot (Otro Modo de Cazar Á Pie)
Tauromaquia: Another Way of Hunting on Foot (Otro Modo de Cazar Á Pie) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Doña Francisca Vicenta Chollet y Caballero
Doña Francisca Vicenta Chollet y Caballero 1806 Francisco de Goya y Lucientes (Spanish, 1746-1828) Oil on canvas
ON VIEW
Disparates: Soldiers Frightened by a Phantom (Disparate de Miedo)
Disparates: Soldiers Frightened by a Phantom (Disparate de Miedo) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
Disparates: Ridiculous Folly (Disparate ridículo)
Disparates: Ridiculous Folly (Disparate ridículo) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
Disparates: Giant (Bobalicón)
Disparates: Giant (Bobalicón) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
Disparates: Flying Folly (Disparate volante)
Disparates: Flying Folly (Disparate volante) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
Disparates: Cruel Folly (Disparate cruel)
Disparates: Cruel Folly (Disparate cruel) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
Disparates: Disorderly Folly (Disparate desordenado)
Disparates: Disorderly Folly (Disparate desordenado) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
Disparates: Men in Sacks (Los ensacados)
Disparates: Men in Sacks (Los ensacados) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
Disparates: General Folly (Disparate general)
Disparates: General Folly (Disparate general) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
Disparates: Woman Carried Off by a Horse (El caballo raptor)
Disparates: Woman Carried Off by a Horse (El caballo raptor) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
Disparates: Poor Folly (Disparate Pobre)
Disparates: Poor Folly (Disparate Pobre) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
Disparates: Merry Folly (Disparate alegre)
Disparates: Merry Folly (Disparate alegre) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
Disparates: A Way of Flying (Modo de volar)
Disparates: A Way of Flying (Modo de volar) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
Disparates: Carnival Folly (Disparate de carnabal)
Disparates: Carnival Folly (Disparate de carnabal) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
Disparates: Light Folly (Disparate claro)
Disparates: Light Folly (Disparate claro) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
Disparates: Indecision (Las exhortaciones)
Disparates: Indecision (Las exhortaciones) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
Disparates: Man Being Mocked (La lealtad)
Disparates: Man Being Mocked (La lealtad) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
Disparates: Funereal Folly (Disparate fúnebre)
Disparates: Funereal Folly (Disparate fúnebre) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
Tauromaquia
Tauromaquia 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Agility and Audacity of Juanito Apiñani in [the Ring] at Madrid (Ligereza y Atrevimiento de Juanito Apiñani en la de Madrid)
Tauromaquia: The Agility and Audacity of Juanito Apiñani in [the Ring] at Madrid (Ligereza y Atrevimiento de Juanito Apiñani en la de Madrid) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Desastres de la Guerra
Desastres de la Guerra 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Sad Forebodings of What is Going to Happen (Tristes Presentimientos De Lo Que Ha De Acontecer)
Desastres de la Guerra: Sad Forebodings of What is Going to Happen (Tristes Presentimientos De Lo Que Ha De Acontecer) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Rightly or Wrongly (Con Razon Ó Sin Ella)
Desastres de la Guerra: Rightly or Wrongly (Con Razon Ó Sin Ella) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: The Same (Lo Mismo)
Desastres de la Guerra: The Same (Lo Mismo) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: The Women Give Courage (Las Mugeres Dan Valor)
Desastres de la Guerra: The Women Give Courage (Las Mugeres Dan Valor) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: And They Are Like Wild Beasts (Y Son Fieras)
Desastres de la Guerra: And They Are Like Wild Beasts (Y Son Fieras) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: It Serves You Right (Bien Te Se Está)
Desastres de la Guerra: It Serves You Right (Bien Te Se Está) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: What Courage! (Que Valor!)
Desastres de la Guerra: What Courage! (Que Valor!) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: It Always Happens (Siempre Sucede)
Desastres de la Guerra: It Always Happens (Siempre Sucede) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: They Don't Like It (No Quieren)
Desastres de la Guerra: They Don't Like It (No Quieren) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Nor [Do These] Either (Tampoco)
Desastres de la Guerra: Nor [Do These] Either (Tampoco) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Neither Do These (Ni Por Esas)
Desastres de la Guerra: Neither Do These (Ni Por Esas) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: This Is What You Were Born For (Para Eso Nacido)
Desastres de la Guerra: This Is What You Were Born For (Para Eso Nacido) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Bitter to Be Present (Amarga Presencia)
Desastres de la Guerra: Bitter to Be Present (Amarga Presencia) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: It's a Hard Step! (Duro Es El Paso!)
Desastres de la Guerra: It's a Hard Step! (Duro Es El Paso!) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: And There's No Help for It (Y No Hai Remedio)
Desastres de la Guerra: And There's No Help for It (Y No Hai Remedio) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: They Make Use of Them (Se Aprovechan)
Desastres de la Guerra: They Make Use of Them (Se Aprovechan) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: They Do Not Agree (No Se Convienen)
Desastres de la Guerra: They Do Not Agree (No Se Convienen) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Bury Them and Keep Quiet (Enterrar y Callar)
Desastres de la Guerra: Bury Them and Keep Quiet (Enterrar y Callar) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: There Isn't Time Now (Ya No Hay Tiempo)
Desastres de la Guerra: There Isn't Time Now (Ya No Hay Tiempo) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Get Them Well, and on to the Next (Curarlos, y Á Otra)
Desastres de la Guerra: Get Them Well, and on to the Next (Curarlos, y Á Otra) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: It Will Be the Same (Será Lo Mismo)
Desastres de la Guerra: It Will Be the Same (Será Lo Mismo) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Even Worse (Tanto y Mas)
Desastres de la Guerra: Even Worse (Tanto y Mas) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: The Same Elsewhere (Lo Mismo En Otras Partes)
Desastres de la Guerra: The Same Elsewhere (Lo Mismo En Otras Partes) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: They Can Still Be of Use (Aun Podrán Servir)
Desastres de la Guerra: They Can Still Be of Use (Aun Podrán Servir) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: These Too (Tambien Estos)
Desastres de la Guerra: These Too (Tambien Estos) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: One Can't Look (No Se Puede Mirar)
Desastres de la Guerra: One Can't Look (No Se Puede Mirar) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Charity (Caridad)
Desastres de la Guerra: Charity (Caridad) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Rabble (Populacho)
Desastres de la Guerra: Rabble (Populacho) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: He Deserved It (Lo Merecia)
Desastres de la Guerra: He Deserved It (Lo Merecia) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Ravages of War (Estragos De La Guerra)
Desastres de la Guerra: Ravages of War (Estragos De La Guerra) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: That's Tough! (Fuerte Cosa Es!)
Desastres de la Guerra: That's Tough! (Fuerte Cosa Es!) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Why? (Por Qué?)
Desastres de la Guerra: Why? (Por Qué?) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: What More Can Be Done? (Qué Hai Que Hacer Mas?)
Desastres de la Guerra: What More Can Be Done? (Qué Hai Que Hacer Mas?) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: On Account of a Knife (Por Una Navaja)
Desastres de la Guerra: On Account of a Knife (Por Una Navaja) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: One Can't Tell Why (No Se Puede Saber Por Qué)
Desastres de la Guerra: One Can't Tell Why (No Se Puede Saber Por Qué) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Not [in This Case] Either (Tampoco)
Desastres de la Guerra: Not [in This Case] Either (Tampoco) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Old Style Duel
Old Style Duel c.1819 Francisco de Goya y Lucientes (Spanish, 1746-1828) Lithographic ink transfer retouched with brush and black ink on wove paper
Landscape with Buildings and Trees
Landscape with Buildings and Trees c.1920 (Plate executed before 1810) Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching and burnished aquatint, printed from two halves of the cut plate, on laid paper
Landscape with Waterfall
Landscape with Waterfall c.1920 (Plate executed before 1810) Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching and burnished aquatint, printed from two halves of the cut plate, on laid paper
Caprichos: Fran.co Goya y Lucientes, Painter (Fran.co Goya y Lucientes, Pintor)
Caprichos: Fran.co Goya y Lucientes, Painter (Fran.co Goya y Lucientes, Pintor) c.1820 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, aquatint, drypoint & burin on heavy laid paper
Caprichos: What a Golden Beak! (Que pico de Oro!)
Caprichos: What a Golden Beak! (Que pico de Oro!) c.1820 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint & burin on heavy laid paper
Copies after Velázquez: A Dwarf, Sebastián de Morra (Un Enano, Sebastián de Morra)
Copies after Velázquez: A Dwarf, Sebastián de Morra (Un Enano, Sebastián de Morra) 1778 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching on laid paper
Copies after Velázquez: Barbarroxa (Pernia)
Copies after Velázquez: Barbarroxa (Pernia) 1778-79 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, aquatint, burin & roulette on heavy laid paper with engraved letters
Tauromaquia: The Moors Settled in Spain, Giving up the Superstitions of the Koran, Adopted This Art of Hunting, and Spear a Bull in the Open (Los Moros Establecidos en España, Prescindiendo de la Supersticions du su Alcorán, Adoptaron Esta Caza y Arte, y Lancean un Toro en el Campo)
Tauromaquia: The Moors Settled in Spain, Giving up the Superstitions of the Koran, Adopted This Art of Hunting, and Spear a Bull in the Open (Los Moros Establecidos en España, Prescindiendo de la Supersticions du su Alcorán, Adoptaron Esta Caza y Arte, y Lancean un Toro en el Campo) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: They Play Another with the Cape in an Enclosure (Capean Otro Encerrado)
Tauromaquia: They Play Another with the Cape in an Enclosure (Capean Otro Encerrado) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Spirited Moor Gazul Is the First to Spear Bulls According to Rules (El Animoso Moro Gazul es el Primero Que Lanceó Toros en Regla)
Tauromaquia: The Spirited Moor Gazul Is the First to Spear Bulls According to Rules (El Animoso Moro Gazul es el Primero Que Lanceó Toros en Regla) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous (Los Moros Hacen Otro Capeo en Plaza con su Albornoz)
Tauromaquia: The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous (Los Moros Hacen Otro Capeo en Plaza con su Albornoz) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: Origin of the Harpoons or Banderillas (Origen de los Arpones Ó Banderillas)
Tauromaquia: Origin of the Harpoons or Banderillas (Origen de los Arpones Ó Banderillas) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: A Moor Caught by the Bull in the Ring (Cogida de un Muro Estando en la Plaza)
Tauromaquia: A Moor Caught by the Bull in the Ring (Cogida de un Muro Estando en la Plaza) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: A Spanish Knight Kills the Bull After Having Lost His Horse (Un Caballero Español Mata un Toro Despues de Haber Perdido el Caballo)
Tauromaquia: A Spanish Knight Kills the Bull After Having Lost His Horse (Un Caballero Español Mata un Toro Despues de Haber Perdido el Caballo) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: Charles V Spearing a Bull in the Ring at Valladolid (Carlos V Lanceando un Toro en la Plaza de Valladolid)
Tauromaquia: Charles V Spearing a Bull in the Ring at Valladolid (Carlos V Lanceando un Toro en la Plaza de Valladolid) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Cid Campeador Spearing Another Bull (El Cid Campeador Lanceando Otro Toro)
Tauromaquia: The Cid Campeador Spearing Another Bull (El Cid Campeador Lanceando Otro Toro) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms (Desjarrete de la Canalla con Lanzas, Medias-Lunas, Banderillas y Otras Armas
Tauromaquia: The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms (Desjarrete de la Canalla con Lanzas, Medias-Lunas, Banderillas y Otras Armas 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants (Un Caballero Español en Plaza Quebrando Rejoncillos Sin Auxilio de los Chulos
Tauromaquia: A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants (Un Caballero Español en Plaza Quebrando Rejoncillos Sin Auxilio de los Chulos 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body (El Diestrísimo Estudiante de Falces, Embozado Burla al Toro con sus Quiebros)
Tauromaquia: The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body (El Diestrísimo Estudiante de Falces, Embozado Burla al Toro con sus Quiebros) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Famous Martincho Places the Banderillas Playing the Bull with the Movement of His Body (El Famoso Martincho Poniendo Banderillas Al Quiebro)
Tauromaquia: The Famous Martincho Places the Banderillas Playing the Bull with the Movement of His Body (El Famoso Martincho Poniendo Banderillas Al Quiebro) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Same Man Throws a Bull in the Ring at Madrid (El Mismo Vuelca un Toro en la Plaza de Madrid)
Tauromaquia: The Same Man Throws a Bull in the Ring at Madrid (El Mismo Vuelca un Toro en la Plaza de Madrid) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Moors Use Donkeys As a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls (Palenque de los Moros con Burros Para Defenderse del Toro Embolado)
Tauromaquia: The Moors Use Donkeys As a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls (Palenque de los Moros con Burros Para Defenderse del Toro Embolado) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Daring of Martincho in the Ring at Saragossa (Temeridad de Martincho en la Plaza de Zaragoza)
Tauromaquia: The Daring of Martincho in the Ring at Saragossa (Temeridad de Martincho en la Plaza de Zaragoza) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: Another Madness of His in the Same Ring (Otra Locura Suya en la Misma Plaza)
Tauromaquia: Another Madness of His in the Same Ring (Otra Locura Suya en la Misma Plaza) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Agility and Audacity of Juanito Apiñani in [the Ring] at Madrid (Ligereza y Atrevimiento de Juanito Apiñani en la de Madrid)
Tauromaquia: The Agility and Audacity of Juanito Apiñani in [the Ring] at Madrid (Ligereza y Atrevimiento de Juanito Apiñani en la de Madrid) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon (Desgracias Acaecidas en el Tendido de la Plaza de Madrid, y Muerte del Alcalde de Torrejon)
Tauromaquia: Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon (Desgracias Acaecidas en el Tendido de la Plaza de Madrid, y Muerte del Alcalde de Torrejon) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: Manly Courage of the Celebrated Pajuelera in [the Ring] at Saragosa (Valor Varonil d la Célebre Pajuelera en la de Zaragoza)
Tauromaquia: Manly Courage of the Celebrated Pajuelera in [the Ring] at Saragosa (Valor Varonil d la Célebre Pajuelera en la de Zaragoza) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse (Mariano Ceballos, Alias el Indio, Mata el Toro Desde su Caballo)
Tauromaquia: Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse (Mariano Ceballos, Alias el Indio, Mata el Toro Desde su Caballo) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid (El Mismo Ceballos Montado Sobre Otro Toro Quiebra Rejones en la Plaza Madrid)
Tauromaquia: The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid (El Mismo Ceballos Montado Sobre Otro Toro Quiebra Rejones en la Plaza Madrid) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: They Loose Dogs on the Bull (Echan Perros Al Toro)
Tauromaquia: They Loose Dogs on the Bull (Echan Perros Al Toro) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: A Picador Is Unhorsed and Falls Under the Bull (Caida de un Picador de su Caballo Debajo del Toro)
Tauromaquia: A Picador Is Unhorsed and Falls Under the Bull (Caida de un Picador de su Caballo Debajo del Toro) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique (El Célebre Fernando del Toro, Barilarguero, Obligando Á la Fiera con su Garrocha)
Tauromaquia: The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique (El Célebre Fernando del Toro, Barilarguero, Obligando Á la Fiera con su Garrocha) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Forceful Rendon Stabs a Bull with the Pique, From Which Pass He Died in the Ring at Madrid (El Esforzado Rendon Picando un Toro, de Cuya Suerte Murió en la Plaza de Madrid)
Tauromaquia: The Forceful Rendon Stabs a Bull with the Pique, From Which Pass He Died in the Ring at Madrid (El Esforzado Rendon Picando un Toro, de Cuya Suerte Murió en la Plaza de Madrid) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: Pepe Illo Making the Pass of the "Recorte" (Pepe Illo Haciendo el Recorte al Toro)
Tauromaquia: Pepe Illo Making the Pass of the "Recorte" (Pepe Illo Haciendo el Recorte al Toro) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: Pedro Romero Killing the Halted Bull (Pedro Romero Matando Á Toro Parado)
Tauromaquia: Pedro Romero Killing the Halted Bull (Pedro Romero Matando Á Toro Parado) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: Banderillas with Firecrackers (Banderillas de Fuego)
Tauromaquia: Banderillas with Firecrackers (Banderillas de Fuego) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: Two Teams of Picadors Thrown One After the Other by a Single Bull (Dos Grupos de Picadores Arrollados de Seguida por un Solo Toro)
Tauromaquia: Two Teams of Picadors Thrown One After the Other by a Single Bull (Dos Grupos de Picadores Arrollados de Seguida por un Solo Toro) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Unlucky Death of Pepe Illo in the Ring at Madrid (La Desgraciada Muerte de Pepe Illo en la Plaza de Madrid)
Tauromaquia: The Unlucky Death of Pepe Illo in the Ring at Madrid (La Desgraciada Muerte de Pepe Illo en la Plaza de Madrid) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia
Tauromaquia 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country (Modo Con Que Los Antiguos Españoles Cazaban Los Toros á Caballo en el Campo)
Tauromaquia: The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country (Modo Con Que Los Antiguos Españoles Cazaban Los Toros á Caballo en el Campo) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: Another Way of Hunting on Foot (Otro Modo de Cazar Á Pie)
Tauromaquia: Another Way of Hunting on Foot (Otro Modo de Cazar Á Pie) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Moors Settled in Spain, Giving up the Superstitions of the Koran, Adopted This Art of Hunting, and Spear a Bull in the Open (Los Moros Establecidos en España, Prescindiendo de la Supersticions du su Alcorán, Adoptaron Esta Caza y Arte, y Lancean un Toro en el Campo)
Tauromaquia: The Moors Settled in Spain, Giving up the Superstitions of the Koran, Adopted This Art of Hunting, and Spear a Bull in the Open (Los Moros Establecidos en España, Prescindiendo de la Supersticions du su Alcorán, Adoptaron Esta Caza y Arte, y Lancean un Toro en el Campo) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: They Play Another with the Cape in an Enclosure (Capean Otro Encerrado)
Tauromaquia: They Play Another with the Cape in an Enclosure (Capean Otro Encerrado) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Spirited Moor Gazul Is the First to Spear Bulls According to Rules (El Animoso Moro Gazul es el Primero Que Lanceó Toros en Regla)
Tauromaquia: The Spirited Moor Gazul Is the First to Spear Bulls According to Rules (El Animoso Moro Gazul es el Primero Que Lanceó Toros en Regla) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous (Los Moros Hacen Otro Capeo en Plaza con su Albornoz)
Tauromaquia: The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous (Los Moros Hacen Otro Capeo en Plaza con su Albornoz) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: Origin of the Harpoons or Banderillas (Origen de los Arpones Ó Banderillas)
Tauromaquia: Origin of the Harpoons or Banderillas (Origen de los Arpones Ó Banderillas) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: A Moor Caught by the Bull in the Ring (Cogida de un Muro Estando en la Plaza)
Tauromaquia: A Moor Caught by the Bull in the Ring (Cogida de un Muro Estando en la Plaza) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Tauromaquia: A Spanish Knight Kills the Bull After Having Lost His Horse (Un Caballero Español Mata un Toro Despues de Haber Perdido el Caballo)
Tauromaquia: A Spanish Knight Kills the Bull After Having Lost His Horse (Un Caballero Español Mata un Toro Despues de Haber Perdido el Caballo) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Desastres de la Guerra: The Beds of Death (Las Camas De La Muerte)
Desastres de la Guerra: The Beds of Death (Las Camas De La Muerte) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Harvest of the Dead (Muertos Recogidos)
Desastres de la Guerra: Harvest of the Dead (Muertos Recogidos) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Cartloads to the Cemetery (Carretadas Al Cementerio)
Desastres de la Guerra: Cartloads to the Cemetery (Carretadas Al Cementerio) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: What Is This Hubbub? (Qué Alboroto es Este?)
Desastres de la Guerra: What Is This Hubbub? (Qué Alboroto es Este?) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Strange Devotion! (Extraña Devocion!)
Desastres de la Guerra: Strange Devotion! (Extraña Devocion!) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: This is Not Less So (Esta No Lo Es Menos)
Desastres de la Guerra: This is Not Less So (Esta No Lo Es Menos) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: What Madness! (Que Locura!)
Desastres de la Guerra: What Madness! (Que Locura!) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Nothing. The Event Will Tell (Nada. Ello Dirá)
Desastres de la Guerra: Nothing. The Event Will Tell (Nada. Ello Dirá) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: They Do Not Know the Way (No Saben El Camino)
Desastres de la Guerra: They Do Not Know the Way (No Saben El Camino) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Against the Common Good (Contra El Bien General)
Desastres de la Guerra: Against the Common Good (Contra El Bien General) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: The Consequences (Las Resultas)
Desastres de la Guerra: The Consequences (Las Resultas) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Feline Pantomime (Gatesca Pantomima)
Desastres de la Guerra: Feline Pantomime (Gatesca Pantomima) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: That is the Worst of It! (Esto Es Lo Peor!)
Desastres de la Guerra: That is the Worst of It! (Esto Es Lo Peor!) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Charlatans' Show (Farándula De Charlatanes)
Desastres de la Guerra: Charlatans' Show (Farándula De Charlatanes) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: The Carnivorous Vulture (El Buitre Carnívoro)
Desastres de la Guerra: The Carnivorous Vulture (El Buitre Carnívoro) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: May the Cord Break (Que se Rompe la Cuerda)
Desastres de la Guerra: May the Cord Break (Que se Rompe la Cuerda) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: He Defends Himself Well (Se Defiende Bien)
Desastres de la Guerra: He Defends Himself Well (Se Defiende Bien) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Truth Has Died (Murió La Verdad)
Desastres de la Guerra: Truth Has Died (Murió La Verdad) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Will She Rise Again? (Si Resucitará?)
Desastres de la Guerra: Will She Rise Again? (Si Resucitará?) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: Fierce Monster! (Fiero monstruo!)
Desastres de la Guerra: Fierce Monster! (Fiero monstruo!) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Desastres de la Guerra: This Is the Truth (Esto es lo verdadero)
Desastres de la Guerra: This Is the Truth (Esto es lo verdadero) 1814-20 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
The Garroted Man (El agarrotado)
The Garroted Man (El agarrotado) c.1778-80 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching on laid paper
Tauromaquia
Tauromaquia 1905 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Desastres de la Guerra: This Is Worse (Esto Es Peor)
Desastres de la Guerra: This Is Worse (Esto Es Peor) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Barbarians! (Bárbaros!)
Desastres de la Guerra: Barbarians! (Bárbaros!) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: An Heroic Feat! With Dead Men! (Grande Hazaña! Con Muertos!)
Desastres de la Guerra: An Heroic Feat! With Dead Men! (Grande Hazaña! Con Muertos!) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: He Gets Something Out of It (Algun Partido Saca)
Desastres de la Guerra: He Gets Something Out of It (Algun Partido Saca) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: They Escape through the Flames (Escapan Entre Las Llamas)
Desastres de la Guerra: They Escape through the Flames (Escapan Entre Las Llamas) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Everything is Topsy-Turvy (Todo Va Revuelto)
Desastres de la Guerra: Everything is Topsy-Turvy (Todo Va Revuelto) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: This Too (Tambien Esto)
Desastres de la Guerra: This Too (Tambien Esto) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: I Saw It (Yo Lo Vi)
Desastres de la Guerra: I Saw It (Yo Lo Vi) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: And This Too (Y Esto Tambien)
Desastres de la Guerra: And This Too (Y Esto Tambien) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: This is Bad (Esto es Malo)
Desastres de la Guerra: This is Bad (Esto es Malo) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: This Is How It Happened (Así Sucedió)
Desastres de la Guerra: This Is How It Happened (Así Sucedió) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Cruel Tale of Woe! (Cruel Lástima!)
Desastres de la Guerra: Cruel Tale of Woe! (Cruel Lástima!) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: A Woman's Charity (Caridad De Una Muger)
Desastres de la Guerra: A Woman's Charity (Caridad De Una Muger) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Unhappy Mother! (Madre Infeliz!)
Desastres de la Guerra: Unhappy Mother! (Madre Infeliz!) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Thanks to the Millet (Gracias Á La Almorta)
Desastres de la Guerra: Thanks to the Millet (Gracias Á La Almorta) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: They Do Not Arrive in Time (No Llegan Á Tiempo)
Desastres de la Guerra: They Do Not Arrive in Time (No Llegan Á Tiempo) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: There Was Nothing to Be Done and He Died (Espiró Sin Remedio)
Desastres de la Guerra: There Was Nothing to Be Done and He Died (Espiró Sin Remedio) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Appeals Are in Vain (Clamores En Vano)
Desastres de la Guerra: Appeals Are in Vain (Clamores En Vano) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: The Worst Is to Beg (Lo Peor Es Pedir)
Desastres de la Guerra: The Worst Is to Beg (Lo Peor Es Pedir) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Caprichos
Caprichos 1881-86 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos
Caprichos 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Copies after Velázquez: Felipe IV
Copies after Velázquez: Felipe IV 1778-79 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching on laid paper with engraved letters
Desastres de la Guerra
Desastres de la Guerra 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: Rightly or Wrongly (Con Razon Ó Sin Ella)
Desastres de la Guerra: Rightly or Wrongly (Con Razon Ó Sin Ella) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: And They Are Like Wild Beasts (Y Son Fieras)
Desastres de la Guerra: And They Are Like Wild Beasts (Y Son Fieras) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: I Saw It (Yo Lo Vi)
Desastres de la Guerra: I Saw It (Yo Lo Vi) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
ON VIEW
Desastres de la Guerra: Thanks to the Millet (Gracias Á La Almorta)
Desastres de la Guerra: Thanks to the Millet (Gracias Á La Almorta) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Desastres de la Guerra: What is the Use of a Cup? (De Qué Sirve Una Taza?)
Desastres de la Guerra: What is the Use of a Cup? (De Qué Sirve Una Taza?) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
ON VIEW
Desastres de la Guerra: The Beds of Death (Las Camas De La Muerte)
Desastres de la Guerra: The Beds of Death (Las Camas De La Muerte) 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, burin, and burnisher on wove paper
Caprichos: Fran.co Goya y Lucientes, Painter (Fran.co Goya y Lucientes, Pintor)
Caprichos: Fran.co Goya y Lucientes, Painter (Fran.co Goya y Lucientes, Pintor) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: They Say Yes and Give Their Hand to the First Comer (El si pronuncian y la mano alargan/ Al primero que llega)
Caprichos: They Say Yes and Give Their Hand to the First Comer (El si pronuncian y la mano alargan/ Al primero que llega) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Here Comes the Bogey-Man (Que viene el coco)
Caprichos: Here Comes the Bogey-Man (Que viene el coco) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Nanny's Boy (El de la rollona)
Caprichos: Nanny's Boy (El de la rollona) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Two of a Kind (Tal para qual)
Caprichos: Two of a Kind (Tal para qual) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Nobody Knows Himself (Nadie se conoce)
Caprichos: Nobody Knows Himself (Nadie se conoce) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Even Thus He Cannot Make Her Out (Ni asi la distingue)
Caprichos: Even Thus He Cannot Make Her Out (Ni asi la distingue) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: They Carried Her Off! (Que se la llevaron!)
Caprichos: They Carried Her Off! (Que se la llevaron!) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Tantalus (Tantalo)
Caprichos: Tantalus (Tantalo) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Love and Death (El amor y la muerte)
Caprichos: Love and Death (El amor y la muerte) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Lads Making Ready (Muchachos al avío)
Caprichos: Lads Making Ready (Muchachos al avío) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Out Hunting for Teeth (A caza de dientes)
Caprichos: Out Hunting for Teeth (A caza de dientes) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: They Are Hot (Estan calientes)
Caprichos: They Are Hot (Estan calientes) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: What a Sacrifice! (Que sacrificio!)
Caprichos: What a Sacrifice! (Que sacrificio!) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Pretty Teachings (Bellos consejos)
Caprichos: Pretty Teachings (Bellos consejos) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: For Heaven's Sake: and it Was Her Mother (Dios la perdone: Y era su madre)
Caprichos: For Heaven's Sake: and it Was Her Mother (Dios la perdone: Y era su madre) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: It Is Nicely Stretched (Bien tirada está)
Caprichos: It Is Nicely Stretched (Bien tirada está) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: And His House Is on Fire (Ysele quema la Casa)
Caprichos: And His House Is on Fire (Ysele quema la Casa) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: All Will Fall (Todos Caerán)
Caprichos: All Will Fall (Todos Caerán) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: There They Go Plucked (i.e. Fleeced) (Ya van desplumados)
Caprichos: There They Go Plucked (i.e. Fleeced) (Ya van desplumados) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
ON VIEW
Caprichos: How They Pluck Her! (¡Qual la descañonan!)
Caprichos: How They Pluck Her! (¡Qual la descañonan!) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Poor Little Girls! (Pobrecitas!)
Caprichos: Poor Little Girls! (Pobrecitas!) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Those Specks of Dust (Aquellos polbos)
Caprichos: Those Specks of Dust (Aquellos polbos) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Nothing Could Be Done about It (Nohubo remedio)
Caprichos: Nothing Could Be Done about It (Nohubo remedio) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Yes He Broke the Pot (Si quebró el Cantaro)
Caprichos: Yes He Broke the Pot (Si quebró el Cantaro) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: They've Already Got a Seat (i.e. Bottom) (Ya tienen asiento)
Caprichos: They've Already Got a Seat (i.e. Bottom) (Ya tienen asiento) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Which of Them Is the More Overcome? (Quien mas rendido?)
Caprichos: Which of Them Is the More Overcome? (Quien mas rendido?) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Hush (Chiton)
Caprichos: Hush (Chiton) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: That Certainly Is Being Able to Read (Esto si que es leer)
Caprichos: That Certainly Is Being Able to Read (Esto si que es leer) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Why Hide Them? (Porque esconderlos?)
Caprichos: Why Hide Them? (Porque esconderlos?) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: She Prays for Her (Ruega por ella)
Caprichos: She Prays for Her (Ruega por ella) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Because She Was Susceptible (Por que fue sensible)
Caprichos: Because She Was Susceptible (Por que fue sensible) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: To the Count Palatine or Count of the Palate (Al Conde Palatino)
Caprichos: To the Count Palatine or Count of the Palate (Al Conde Palatino) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Sleep Overcomes Them (Las rinde el Sueño)
Caprichos: Sleep Overcomes Them (Las rinde el Sueño) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: She Fleeces Him (La descañona)
Caprichos: She Fleeces Him (La descañona) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
ON VIEW
Caprichos: A Bad Night (Mala noche)
Caprichos: A Bad Night (Mala noche) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Might Not the Pupil Know More? (Si sabrá mas el discipulo?)
Caprichos: Might Not the Pupil Know More? (Si sabrá mas el discipulo?) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Bravo! (Brabisimo!)
Caprichos: Bravo! (Brabisimo!) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: And So Was His Grandfather (Asta su Abuelo)
Caprichos: And So Was His Grandfather (Asta su Abuelo) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Of What Ill Will He Die? (De que mal morira?)
Caprichos: Of What Ill Will He Die? (De que mal morira?) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Neither More Nor Less (Ni mas ni menos)
Caprichos: Neither More Nor Less (Ni mas ni menos) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Thou Who Canst Not (Tu que no puedes)
Caprichos: Thou Who Canst Not (Tu que no puedes) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: The Sleep of Reason Produces Monsters (El sueño de la razon produce monstruos)
Caprichos: The Sleep of Reason Produces Monsters (El sueño de la razon produce monstruos) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
ON VIEW
Caprichos: They Spin Finely (Hilan delgado)
Caprichos: They Spin Finely (Hilan delgado) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: There Is Plenty to Suck (Mucho hay que chupar)
Caprichos: There Is Plenty to Suck (Mucho hay que chupar) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Correction (Correccion)
Caprichos: Correction (Correccion) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: A Gift for the Master (Obsequio á el maestro)
Caprichos: A Gift for the Master (Obsequio á el maestro) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Tale-Bearers -- Blasts of Wind (Soplones)
Caprichos: Tale-Bearers -- Blasts of Wind (Soplones) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Hobgoblins (Duendecitos)
Caprichos: Hobgoblins (Duendecitos) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: The Chinchillas (Los Chinchillas)
Caprichos: The Chinchillas (Los Chinchillas) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
ON VIEW
Caprichos: They Spruce Themselves Up (Se repulen)
Caprichos: They Spruce Themselves Up (Se repulen) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
ON VIEW
Caprichos: What a Tailor Can Do! (Lo que puede un Sastre!)
Caprichos: What a Tailor Can Do! (Lo que puede un Sastre!) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: What a Golden Beak! (Que pico de Oro!)
Caprichos: What a Golden Beak! (Que pico de Oro!) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: The Shamefaced One (El Vergonzoso)
Caprichos: The Shamefaced One (El Vergonzoso) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Until Death (Hasta la muerte)
Caprichos: Until Death (Hasta la muerte) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: To Rise and to Fall (Subir y bajar)
Caprichos: To Rise and to Fall (Subir y bajar) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: The Filiation (La filiacion)
Caprichos: The Filiation (La filiacion) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Swallow It, Dog (Tragala perro)
Caprichos: Swallow It, Dog (Tragala perro) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: And Still They Don't Go! (Y aun no se van!)
Caprichos: And Still They Don't Go! (Y aun no se van!) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Trials (Ensayos)
Caprichos: Trials (Ensayos) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: They Have Flown (Volaverunt)
Caprichos: They Have Flown (Volaverunt) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Who Would Have Thought It! (Quien lo creyera!)
Caprichos: Who Would Have Thought It! (Quien lo creyera!) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Look How Solemn They Are! (Miren que grabes!)
Caprichos: Look How Solemn They Are! (Miren que grabes!) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Bon Voyage (Buen Viage)
Caprichos: Bon Voyage (Buen Viage) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Where Is Mother Going? (Donde vá mamá?)
Caprichos: Where Is Mother Going? (Donde vá mamá?) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: There It Goes (Allá vá eso)
Caprichos: There It Goes (Allá vá eso) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Wait till You've Been Anointed (Aguarda que te unten)
Caprichos: Wait till You've Been Anointed (Aguarda que te unten) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Pretty Teacher! (Linda maestra!)
Caprichos: Pretty Teacher! (Linda maestra!) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Blow (Sopla)
Caprichos: Blow (Sopla) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Devout Profession (Devota profesion)
Caprichos: Devout Profession (Devota profesion) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: When Day Breaks We Will Be Off (Si amanece: nos Vamos)
Caprichos: When Day Breaks We Will Be Off (Si amanece: nos Vamos) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: You Will Not Escape (No te escaparás)
Caprichos: You Will Not Escape (No te escaparás) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: It Is Better to Be Lazy (Mejor es holgar)
Caprichos: It Is Better to Be Lazy (Mejor es holgar) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Don't Scream, Stupid (No grites, tonta)
Caprichos: Don't Scream, Stupid (No grites, tonta) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Can't Anyone Untie Us? (¿No hay quien nos desate?)
Caprichos: Can't Anyone Untie Us? (¿No hay quien nos desate?) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: You Understand?...Well, As I Say...Eh! Look Out! Otherwise... (Está Um.d...Pues, Como digo...eh! Cuidado! si no!...)
Caprichos: You Understand?...Well, As I Say...Eh! Look Out! Otherwise... (Está Um.d...Pues, Como digo...eh! Cuidado! si no!...) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: What One Does to Another (Unos á otros)
Caprichos: What One Does to Another (Unos á otros) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: Be Quick, They Are Waking Up (Despacha, que dispiértan)
Caprichos: Be Quick, They Are Waking Up (Despacha, que dispiértan) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos
Caprichos c. 1855 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etchings with aquatint, burnished aquatint, drypoint, and burin on wove paper
Copies after Velázquez: Isabel de Borbón
Copies after Velázquez: Isabel de Borbón 1778-79 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching and drypoint on laid paper with engraved letters
Copies after Velázquez: Baltasar Carlos
Copies after Velázquez: Baltasar Carlos 1778-79 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching and drypoint on laid paper with engraved letters
Copies after Velázquez: Gaspar de Guzman, conde-duque de Olivares
Copies after Velázquez: Gaspar de Guzman, conde-duque de Olivares 1778 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching on laid paper with engraved letters
Copies after Velázquez: Æsopvs
Copies after Velázquez: Æsopvs 1778-79 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching on laid paper with engraved letters
Copies after Velázquez: A Dwarf, Sebastián de Morra (Un Enano, Sebastián de Morra)
Copies after Velázquez: A Dwarf, Sebastián de Morra (Un Enano, Sebastián de Morra) 1778-79 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching on laid paper with engraved letters
Copies after Velázquez: A Dwarf, El Primo (Un enano, El Primo)
Copies after Velázquez: A Dwarf, El Primo (Un enano, El Primo) 1778-79 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching on laid paper with engraved letters
Woman Reading
Woman Reading c. 1819-22 Francisco de Goya y Lucientes (Spanish, 1746-1828) Lithographic ink and crayon (transfer?) on heavy laid paper
Copies after Velázquez: Bacchus (Baco)
Copies after Velázquez: Bacchus (Baco) 1778-79 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching on laid paper with engraved letters
Copies after Velázquez: Felipe III
Copies after Velázquez: Felipe III 1778-79 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching and drypoint on laid paper with engraved letters
Copies after Velázquez: Margarita de Austria
Copies after Velázquez: Margarita de Austria 1778-79 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching and drypoint on laid paper with engraved letters
Copies after Velázquez: Moenippvs
Copies after Velázquez: Moenippvs 1778-79 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching on laid paper with engraved letters
Caprichos
Caprichos Before 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper; with letters and numbers
ON VIEW
Caprichos: No One Has Seen Us (Nadie nos ha visto)
Caprichos: No One Has Seen Us (Nadie nos ha visto) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Caprichos: It Is Time (Ya es hora)
Caprichos: It Is Time (Ya es hora) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin with watercolor additions on laid paper
Saint Jerome in Penitence
Saint Jerome in Penitence 1798 Francisco de Goya y Lucientes (Spanish, 1746-1828) Oil on canvas
ON VIEW
Caprichos: It Is Nicely Stretched (Bien tirada está)
Caprichos: It Is Nicely Stretched (Bien tirada está) c. 1798 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint and burin on laid paper; before letters and number
Caprichos: Nobody Knows Himself (Nadie se conoce)
Caprichos: Nobody Knows Himself (Nadie se conoce) c. 1798 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching with burnished aquatint on laid paper before letters and number
Caprichos: Even Thus He Cannot Make Her Out (Ni asi la distingue)
Caprichos: Even Thus He Cannot Make Her Out (Ni asi la distingue) c. 1798 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, aquatint and drypoint on laid paper; before letters and number
Caprichos: Tantalus (Tantalo)
Caprichos: Tantalus (Tantalo) c. 1798 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching and burnished aquatint on laid paper; before letters and number
Caprichos: What a Sacrifice! (Que sacrificio!)
Caprichos: What a Sacrifice! (Que sacrificio!) c. 1798 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint and drypoint on laid paper; before letters and number
Caprichos: For Heaven's Sake: and it Was Her Mother (Dios la perdone: Y era su madre)
Caprichos: For Heaven's Sake: and it Was Her Mother (Dios la perdone: Y era su madre) c. 1798 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, aquatint and drypoint on laid paper; before letters and number
Caprichos: There They Go Plucked (i.e. Fleeced) (Ya van desplumados)
Caprichos: There They Go Plucked (i.e. Fleeced) (Ya van desplumados) c. 1798 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint and drypoint on laid paper; before letters and number
ON VIEW
Caprichos: Pretty Teacher! (Linda maestra!)
Caprichos: Pretty Teacher! (Linda maestra!) c. 1798 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint and drypoint on laid paper; before letters and number
Caprichos: Blow (Sopla)
Caprichos: Blow (Sopla) c. 1798 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, aquatint, drypoint and burin on laid paper; before letters and number
Desastres de la Guerra: And They Are Like Wild Beasts (Y Son Fieras)
Desastres de la Guerra: And They Are Like Wild Beasts (Y Son Fieras) c. 1810-15 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint and drypoint on laid paper
Desastres de la Guerra: Neither Do These (Ni Por Esas)
Desastres de la Guerra: Neither Do These (Ni Por Esas) c. 1810-15 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, lavis, drypoint and burin on laid paper
Desastres de la Guerra: It Will Be the Same (Será Lo Mismo)
Desastres de la Guerra: It Will Be the Same (Será Lo Mismo) c. 1810-15 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching and burnished lavis on laid paper
Desastres de la Guerra: Appeals Are in Vain (Clamores En Vano)
Desastres de la Guerra: Appeals Are in Vain (Clamores En Vano) c. 1812-14 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, lavis, burin & burnisher on laid paper
Desastres de la Guerra: The Worst Is to Beg (Lo Peor Es Pedir)
Desastres de la Guerra: The Worst Is to Beg (Lo Peor Es Pedir) c. 1812-14 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, lavis, and burnisher on laid paper With earlier number (partially inked)
Desastres de la Guerra: There Is No One to Help Them (No Hay Quien Los Socorra)
Desastres de la Guerra: There Is No One to Help Them (No Hay Quien Los Socorra) c. 1812-14 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint and burin on laid paper
Desastres de la Guerra
Desastres de la Guerra 1863 Francisco de Goya y Lucientes (Spanish, 1746-1828) Four-fold portfolio covered with red linen; red sheepskin spine stamped in gilt letters
Disparates
Disparates 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
Disparates: Feminine Folly (Disparate femenino)
Disparates: Feminine Folly (Disparate femenino) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
ON VIEW
Disparates: Soldiers Frightened by a Phantom (Disparate de Miedo)
Disparates: Soldiers Frightened by a Phantom (Disparate de Miedo) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
ON VIEW
Disparates: Ridiculous Folly (Disparate ridículo)
Disparates: Ridiculous Folly (Disparate ridículo) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
ON VIEW
Disparates: Giant (Bobalicón)
Disparates: Giant (Bobalicón) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
ON VIEW
Disparates: Flying Folly (Disparate volante)
Disparates: Flying Folly (Disparate volante) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
ON VIEW
Disparates: Cruel Folly (Disparate cruel)
Disparates: Cruel Folly (Disparate cruel) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
ON VIEW
Disparates: Disorderly Folly (Disparate desordenado)
Disparates: Disorderly Folly (Disparate desordenado) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
ON VIEW
Disparates: Men in Sacks (Los ensacados)
Disparates: Men in Sacks (Los ensacados) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
ON VIEW
Disparates: General Folly (Disparate general)
Disparates: General Folly (Disparate general) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
ON VIEW
Disparates: Woman Carried Off by a Horse (El caballo raptor)
Disparates: Woman Carried Off by a Horse (El caballo raptor) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
ON VIEW
Disparates: Poor Folly (Disparate Pobre)
Disparates: Poor Folly (Disparate Pobre) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
ON VIEW
Disparates: Merry Folly (Disparate alegre)
Disparates: Merry Folly (Disparate alegre) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
ON VIEW
Disparates: A Way of Flying (Modo de volar)
Disparates: A Way of Flying (Modo de volar) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
ON VIEW
Disparates: Carnival Folly (Disparate de carnabal)
Disparates: Carnival Folly (Disparate de carnabal) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
ON VIEW
Disparates: Light Folly (Disparate claro)
Disparates: Light Folly (Disparate claro) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
ON VIEW
Disparates: Indecision (Las exhortaciones)
Disparates: Indecision (Las exhortaciones) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
ON VIEW
Disparates: Man Being Mocked (La lealtad)
Disparates: Man Being Mocked (La lealtad) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
ON VIEW
Disparates: Funereal Folly (Disparate fúnebre)
Disparates: Funereal Folly (Disparate fúnebre) 1864 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, before engraved numbers, on wove paper
ON VIEW
Disparates
Disparates 1904 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin, with numbers on wove paper
Tauromaquia: Another Way of Hunting on Foot (Otro Modo de Cazar Á Pie)
Tauromaquia: Another Way of Hunting on Foot (Otro Modo de Cazar Á Pie) 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin, with the number, before additional burnishing, in black ink on laid paper
San Francisco de Paula—CARI[TAS]
San Francisco de Paula—CARI[TAS] c. 1780 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching and drypoint on laid paper
Tauromaquia
Tauromaquia 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
ON VIEW
Tauromaquia
Tauromaquia 1816 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, lavis, drypoint, and burin on laid paper
Caprichos
Caprichos 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
ON VIEW
Caprichos: Fran.co Goya y Lucientes, Painter (Fran.co Goya y Lucientes, Pintor)
Caprichos: Fran.co Goya y Lucientes, Painter (Fran.co Goya y Lucientes, Pintor) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: They Say Yes and Give Their Hand to the First Comer (El si pronuncian y la mano alargan/ Al primero que llega)
Caprichos: They Say Yes and Give Their Hand to the First Comer (El si pronuncian y la mano alargan/ Al primero que llega) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Here Comes the Bogey-Man (Que viene el coco)
Caprichos: Here Comes the Bogey-Man (Que viene el coco) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Nanny's Boy (El de la rollona)
Caprichos: Nanny's Boy (El de la rollona) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Two of a Kind (Tal para qual)
Caprichos: Two of a Kind (Tal para qual) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Nobody Knows Himself (Nadie se conoce)
Caprichos: Nobody Knows Himself (Nadie se conoce) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Even Thus He Cannot Make Her Out (Ni asi la distingue)
Caprichos: Even Thus He Cannot Make Her Out (Ni asi la distingue) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: They Carried Her Off! (Que se la llevaron!)
Caprichos: They Carried Her Off! (Que se la llevaron!) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Tantalus (Tantalo)
Caprichos: Tantalus (Tantalo) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Love and Death (El amor y la muerte)
Caprichos: Love and Death (El amor y la muerte) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Lads Making Ready (Muchachos al avío)
Caprichos: Lads Making Ready (Muchachos al avío) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Out Hunting for Teeth (A caza de dientes)
Caprichos: Out Hunting for Teeth (A caza de dientes) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: They Are Hot (Estan calientes)
Caprichos: They Are Hot (Estan calientes) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: What a Sacrifice! (Que sacrificio!)
Caprichos: What a Sacrifice! (Que sacrificio!) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Pretty Teachings (Bellos consejos)
Caprichos: Pretty Teachings (Bellos consejos) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: For Heaven's Sake: and it Was Her Mother (Dios la perdone: Y era su madre)
Caprichos: For Heaven's Sake: and it Was Her Mother (Dios la perdone: Y era su madre) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: It Is Nicely Stretched (Bien tirada está)
Caprichos: It Is Nicely Stretched (Bien tirada está) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: And His House Is on Fire (Ysele quema la Casa)
Caprichos: And His House Is on Fire (Ysele quema la Casa) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: All Will Fall (Todos Caerán)
Caprichos: All Will Fall (Todos Caerán) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: There They Go Plucked (i.e. Fleeced) (Ya van desplumados)
Caprichos: There They Go Plucked (i.e. Fleeced) (Ya van desplumados) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: How They Pluck Her! (¡Qual la descañonan!)
Caprichos: How They Pluck Her! (¡Qual la descañonan!) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Poor Little Girls! (Pobrecitas!)
Caprichos: Poor Little Girls! (Pobrecitas!) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Those Specks of Dust (Aquellos polbos)
Caprichos: Those Specks of Dust (Aquellos polbos) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Nothing Could Be Done about It (Nohubo remedio)
Caprichos: Nothing Could Be Done about It (Nohubo remedio) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Yes He Broke the Pot (Si quebró el Cantaro)
Caprichos: Yes He Broke the Pot (Si quebró el Cantaro) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: They've Already Got a Seat (i.e. Bottom) (Ya tienen asiento)
Caprichos: They've Already Got a Seat (i.e. Bottom) (Ya tienen asiento) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Which of Them Is the More Overcome? (Quien mas rendido?)
Caprichos: Which of Them Is the More Overcome? (Quien mas rendido?) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Hush (Chiton)
Caprichos: Hush (Chiton) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: That Certainly Is Being Able to Read (Esto si que es leer)
Caprichos: That Certainly Is Being Able to Read (Esto si que es leer) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Why Hide Them? (Porque esconderlos?)
Caprichos: Why Hide Them? (Porque esconderlos?) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: She Prays for Her (Ruega por ella)
Caprichos: She Prays for Her (Ruega por ella) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Because She Was Susceptible (Por que fue sensible)
Caprichos: Because She Was Susceptible (Por que fue sensible) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: To the Count Palatine or Count of the Palate (Al Conde Palatino)
Caprichos: To the Count Palatine or Count of the Palate (Al Conde Palatino) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Sleep Overcomes Them (Las rinde el Sueño)
Caprichos: Sleep Overcomes Them (Las rinde el Sueño) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: She Fleeces Him (La descañona)
Caprichos: She Fleeces Him (La descañona) c. 1798 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: A Bad Night (Mala noche)
Caprichos: A Bad Night (Mala noche) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Might Not the Pupil Know More? (Si sabrá mas el discipulo?)
Caprichos: Might Not the Pupil Know More? (Si sabrá mas el discipulo?) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Bravo! (Brabisimo!)
Caprichos: Bravo! (Brabisimo!) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: And So Was His Grandfather (Asta su Abuelo)
Caprichos: And So Was His Grandfather (Asta su Abuelo) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Of What Ill Will He Die? (De que mal morira?)
Caprichos: Of What Ill Will He Die? (De que mal morira?) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Neither More Nor Less (Ni mas ni menos)
Caprichos: Neither More Nor Less (Ni mas ni menos) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Thou Who Canst Not (Tu que no puedes)
Caprichos: Thou Who Canst Not (Tu que no puedes) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: The Sleep of Reason Produces Monsters (El sueño de la razon produce monstruos)
Caprichos: The Sleep of Reason Produces Monsters (El sueño de la razon produce monstruos) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: They Spin Finely (Hilan delgado)
Caprichos: They Spin Finely (Hilan delgado) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: There Is Plenty to Suck (Mucho hay que chupar)
Caprichos: There Is Plenty to Suck (Mucho hay que chupar) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Correction (Correccion)
Caprichos: Correction (Correccion) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: A Gift for the Master (Obsequio á el maestro)
Caprichos: A Gift for the Master (Obsequio á el maestro) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Tale-Bearers -- Blasts of Wind (Soplones)
Caprichos: Tale-Bearers -- Blasts of Wind (Soplones) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Hobgoblins (Duendecitos)
Caprichos: Hobgoblins (Duendecitos) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: The Chinchillas (Los Chinchillas)
Caprichos: The Chinchillas (Los Chinchillas) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: They Spruce Themselves Up (Se repulen)
Caprichos: They Spruce Themselves Up (Se repulen) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: What a Tailor Can Do! (Lo que puede un Sastre!)
Caprichos: What a Tailor Can Do! (Lo que puede un Sastre!) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: What a Golden Beak! (Que pico de Oro!)
Caprichos: What a Golden Beak! (Que pico de Oro!) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: The Shamefaced One (El Vergonzoso)
Caprichos: The Shamefaced One (El Vergonzoso) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Until Death (Hasta la muerte)
Caprichos: Until Death (Hasta la muerte) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: To Rise and to Fall (Subir y bajar)
Caprichos: To Rise and to Fall (Subir y bajar) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: The Filiation (La filiacion)
Caprichos: The Filiation (La filiacion) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Swallow It, Dog (Tragala perro)
Caprichos: Swallow It, Dog (Tragala perro) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: And Still They Don't Go! (Y aun no se van!)
Caprichos: And Still They Don't Go! (Y aun no se van!) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Trials (Ensayos)
Caprichos: Trials (Ensayos) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: They Have Flown (Volaverunt)
Caprichos: They Have Flown (Volaverunt) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Who Would Have Thought It! (Quien lo creyera!)
Caprichos: Who Would Have Thought It! (Quien lo creyera!) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Look How Solemn They Are! (Miren que grabes!)
Caprichos: Look How Solemn They Are! (Miren que grabes!) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Bon Voyage (Buen Viage)
Caprichos: Bon Voyage (Buen Viage) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Where Is Mother Going? (Donde vá mamá?)
Caprichos: Where Is Mother Going? (Donde vá mamá?) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: There It Goes (Allá vá eso)
Caprichos: There It Goes (Allá vá eso) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Wait till You've Been Anointed (Aguarda que te unten)
Caprichos: Wait till You've Been Anointed (Aguarda que te unten) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Pretty Teacher! (Linda maestra!)
Caprichos: Pretty Teacher! (Linda maestra!) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Blow (Sopla)
Caprichos: Blow (Sopla) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Devout Profession (Devota profesion)
Caprichos: Devout Profession (Devota profesion) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: When Day Breaks We Will Be Off (Si amanece: nos Vamos)
Caprichos: When Day Breaks We Will Be Off (Si amanece: nos Vamos) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: You Will Not Escape (No te escaparás)
Caprichos: You Will Not Escape (No te escaparás) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: It Is Better to Be Lazy (Mejor es holgar)
Caprichos: It Is Better to Be Lazy (Mejor es holgar) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Don't Scream, Stupid (No grites, tonta)
Caprichos: Don't Scream, Stupid (No grites, tonta) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Can't Anyone Untie Us? (¿No hay quien nos desate?)
Caprichos: Can't Anyone Untie Us? (¿No hay quien nos desate?) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: You Understand?...Well, As I Say...Eh! Look Out! Otherwise... (Está Um.d...Pues, Como digo...eh! Cuidado! si no!...)
Caprichos: You Understand?...Well, As I Say...Eh! Look Out! Otherwise... (Está Um.d...Pues, Como digo...eh! Cuidado! si no!...) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: What One Does to Another (Unos á otros)
Caprichos: What One Does to Another (Unos á otros) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: Be Quick, They Are Waking Up (Despacha, que dispiértan)
Caprichos: Be Quick, They Are Waking Up (Despacha, que dispiértan) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: No One Has Seen Us (Nadie nos ha visto)
Caprichos: No One Has Seen Us (Nadie nos ha visto) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
Caprichos: It Is Time (Ya es hora)
Caprichos: It Is Time (Ya es hora) 1799 Francisco de Goya y Lucientes (Spanish, 1746-1828) Etching, burnished aquatint, drypoint, and burin on laid paper
She Is Bashful About Undressing, Leave Me in Peace (tiene cortedad de desnudarse, bayá estese V. quieto) (recto)
She Is Bashful About Undressing, Leave Me in Peace (tiene cortedad de desnudarse, bayá estese V. quieto) (recto) 1796-1797 Francisco de Goya y Lucientes (Spanish, 1746-1828) Brush and carbon black ink wash on laid paper
Martín Mariano de Goicoechea y Calarza
Martín Mariano de Goicoechea y Calarza 1805 Francisco de Goya y Lucientes (Spanish, 1746-1828) Oil on copper, roundel
ON VIEW
The Bulls of Bordeaux: Spanish Entertainment (Dibersion de España)
The Bulls of Bordeaux: Spanish Entertainment (Dibersion de España) 1825 Francisco de Goya y Lucientes (Spanish, 1746-1828) Lithographic crayon and scraper on wove paper
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