NARRATOR:
This pastel by Edgar Degas is actually made up of six separate pieces of paper. Look closely and you’ll see the seams. By adding more paper and leaving the entire right half of the composition virtually empty, Degas gave the dancer someplace to go. Without the extra space, the picture would have a very different feel. The empty area, and the billowing pink waves of the stage set receding along the top, reinforce the energy and forward thrust of the dancer’s movement. The motion of her torso and extended right arm is countered by the turn of her raised leg, which points back and around, perhaps leading her into a turn. Nothing about the pose is static—in an instant it will change completely.
Degas brought dancers into his studio to model for him, and he worked out complicated poses like this by sculpting them in wax, which gave him a more permanent, three-dimensional frame of reference to consult when creating paintings and pastels. After his death, the surviving waxes were cast in bronze. The Norton Simon Museum owns the master set of these sculptures. No bronze of a dancer in this exact pose exists, but you’ll find several dancers posed in similar arabesques on display in these galleries.
To hear Tom Brokaw tell you more about the Norton Simon’s collection of Degas bronzes, press 3113.
The Star: Dancer on Pointe
c. 1878-1880
Edgar Degas (French, 1834-1917)
On View
Like this dancer, Degas’s pictures of the ballet hover precariously between the magic of the footlights and the realities of life backstage. We watch this performance in close-up, either through a pair of opera glasses or from the wings, to which Degas, an elite subscriber at the Paris Opéra, enjoyed access. The dancer’s pose—a piqué en attitude—cannot be sustained for more than a second or two at a time; this fact may explain the confused relationship between her legs and torso, which Degas joined with an awkward puff of tulle beneath her tutu. His model for this figure was Melina Darde, a teenaged member of the corps de ballet, transformed, by the artist’s imagination, into a glimmering, gas-lit star.
Details
- Artist Name: Edgar Degas (French, 1834-1917)
- Title: The Star: Dancer on Pointe
- Date: c. 1878-1880
- Culture: French
- Medium: Gouache and pastel on paper, mounted on board
- Dimensions: 22 1/4 x 29 3/4 in. (56.5 x 75.6 cm)
- Credit Line: The Norton Simon Foundation
- Accession Number: F.1969.40.P
- Copyright: © The Norton Simon Foundation
Object Information
Alexis Rouart (1839-1911), Paris (sale, Paris, 11 May 1911, lot 215, ill., as Premier sujet, to);
[Galerie Bernheim-Jeune, Paris, stock no. 18.743 (half-ownership), sold 4 July 1911 to];
Sir William Eden, Windlestone, Ferry Hill, Co. Durham (sale, London, Christie's, 1 March 1918, lot 104, as The Dancer, to);
[Reid & Lefevre, London].
Mrs. R. A. Workman, London and U.S., by 1926.
Jakob Goldschmidt (d. 1955), Berlin (until 1933) and New York (1933-55), by 1936.
[Wildenstein & Co., Inc., New York].
Grover A. and Jeanne J. Magnin, San Francisco (sale, New York, Parke-Bernet, 15 October 1969, lot 6, color ill., as Danseuse sur la pointe [Premier sujet] to);
The Norton Simon Foundation.
[Galerie Bernheim-Jeune, Paris, stock no. 18.743 (half-ownership), sold 4 July 1911 to];
Sir William Eden, Windlestone, Ferry Hill, Co. Durham (sale, London, Christie's, 1 March 1918, lot 104, as The Dancer, to);
[Reid & Lefevre, London].
Mrs. R. A. Workman, London and U.S., by 1926.
Jakob Goldschmidt (d. 1955), Berlin (until 1933) and New York (1933-55), by 1936.
[Wildenstein & Co., Inc., New York].
Grover A. and Jeanne J. Magnin, San Francisco (sale, New York, Parke-Bernet, 15 October 1969, lot 6, color ill., as Danseuse sur la pointe [Premier sujet] to);
The Norton Simon Foundation.
Figure Pieces: Loan Exhibition
- New York, M. Knoedler & Co., 1937-03-29 to 1937-04-10
Collection of Mr. Jakob Goldschmidt, Under the Auspices of The Greenwich House Music School Committee
- New York, Residence of Jakob Goldschmidt, 1953-11 to 1953-11
A Loan Exhibition of Degas for the Benefit of the New York Infirmary
- Wildenstein & Co. (New York, N.Y.), 1949-04-07 to 1949-05-14
Edgar Hilaire Germain Degas
- Los Angeles County Museum of Art, 1958-03-03 to 1958-04-06
Redesigned Degas Galleries
- Norton Simon Museum, 1995-05-04 to 1997-06-01
Taking Shape: Degas as Sculptor
- Norton Simon Museum, 2017-11-09 to 2018-04-09
Three Centuries of French Art: Selections from The Norton Simon, Inc. Museum of Art and The Norton Simon Foundation_1
- California Palace of the Legion of Honor, 1973-05-03 to 1976-06-15
Lemoisne, Paul-André, Degas et son oeuvre, no. 493 p. 273
Lemoisne, Paul-André, Les Arts, p. 30
Moore, George, The Burlington Magazine, p. 23
Rebatet, Marguerite, Degas, pl. 78
Manson, James B., Apollo, pp. 141-142
Cabanne, Pierre, Edgar Degas, pl. 82 pp. 108, 135
Hertz, Henri, Degas, pl. XVII
Apollo, fig. 10 p. 171
Kendall, Richard, Degas by Himself, p. 150
Brommer, Gerald, Exploring Painting, fig. 1 p. 102
Steadman, David W., The Connoisseur, p. 222-231
Lemoisne, Paul-André, L'art de notre temps: Degas, no. XXV pp. 65-66
Manson, James B., The Life and Work of Edgar Degas, pl. 40 p. 50
Mourey, Gabriel, The Studio, p. 136
Browse, Lillian, Degas Dancers, no. 54 p. 356
Leymarie, Jean, L'impressionisme, p. 66
Russoli, Franco; and Fiorella Mivervino, L'opera completa de Degas, no. 516 p. 111
Johns, J., Sundancer, p. 34
Steadman, David W., The Connoisseur, pp. 222-231
Eden, Anthony, Another World, 1897-1917, p. 47
International Art Market, p. 145
Masterpieces from the Norton Simon Museum, p. 142
Armstrong, Carol, Odd Man Out: Readings of the Work and Reputation of Edgar Degas, fig. 27 pp. 56-57
Rubin, Susan Goldman, Degas and the Dance, p. 20
Kendall, Richard and Jill DeVonyar, Degas and the Dance, exhibition catalogue, fig. 235 p. 209
Campbell, Sara et al., Degas in the Norton Simon Museum, Fig. 15 p. 151
Campbell, Sara, Collector Without Walls: Norton Simon and His Hunt for the Best, cat. 687 p. 327
Michel Schulman, Degas Catalogue Raisonné Online, MS-416
Lemoisne, Paul-André, Les Arts, p. 30
Moore, George, The Burlington Magazine, p. 23
Rebatet, Marguerite, Degas, pl. 78
Manson, James B., Apollo, pp. 141-142
Cabanne, Pierre, Edgar Degas, pl. 82 pp. 108, 135
Hertz, Henri, Degas, pl. XVII
Apollo, fig. 10 p. 171
Kendall, Richard, Degas by Himself, p. 150
Brommer, Gerald, Exploring Painting, fig. 1 p. 102
Steadman, David W., The Connoisseur, p. 222-231
Lemoisne, Paul-André, L'art de notre temps: Degas, no. XXV pp. 65-66
Manson, James B., The Life and Work of Edgar Degas, pl. 40 p. 50
Mourey, Gabriel, The Studio, p. 136
Browse, Lillian, Degas Dancers, no. 54 p. 356
Leymarie, Jean, L'impressionisme, p. 66
Russoli, Franco; and Fiorella Mivervino, L'opera completa de Degas, no. 516 p. 111
Johns, J., Sundancer, p. 34
Steadman, David W., The Connoisseur, pp. 222-231
Eden, Anthony, Another World, 1897-1917, p. 47
International Art Market, p. 145
Masterpieces from the Norton Simon Museum, p. 142
Armstrong, Carol, Odd Man Out: Readings of the Work and Reputation of Edgar Degas, fig. 27 pp. 56-57
Rubin, Susan Goldman, Degas and the Dance, p. 20
Kendall, Richard and Jill DeVonyar, Degas and the Dance, exhibition catalogue, fig. 235 p. 209
Campbell, Sara et al., Degas in the Norton Simon Museum, Fig. 15 p. 151
Campbell, Sara, Collector Without Walls: Norton Simon and His Hunt for the Best, cat. 687 p. 327
Michel Schulman, Degas Catalogue Raisonné Online, MS-416
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