Born into an affluent family in the Dutch city of Dordrecht, Nicolaes Maes studied in Amsterdam with Rembrandt. Although he produced paintings of diverse subject matter during his career, Maes focused on scenes of domestic life and portraits of wealthy patrons. Here, he presents a sober depiction of an upper-middle-class family, statically posed and facing the viewer. The parents appear in finery befitting their station—the mother wears a black gown reserved for Sundays and holidays, and the father wears a white collar with tassels, particularly fashionable around 1655. The open window looking out on the ships passing through Dordrecht’s canal, as well as the Chinese porcelain on the shelf above the scene, suggest that this is a merchant family. The two older children hold a basket of fruit, symbolic of the fertility of the marriage.
- Artist Name: Nicolaes Maes (Dutch, 1634-1693)
- Title: Interior with a Dordrecht Family
- Date: 1656
- Medium: Oil on canvas
- Dimensions: 44-1/4 x 47-5/8 in. (112.4 x 121.0 cm)
- Credit Line: The Norton Simon Foundation
- Accession Number: F.1972.15.2.P
- Copyright: © The Norton Simon Foundation
(sale, "A late distinguished marshal of France," London, Stanley, 11 June 1816, no 28).
Lord Carbery, Laxton Hall, Northhamptonshire by 1824, by inheritance to;
Mary, Lady Carbery, Castle Freke, County Cork, Ireland (London, 4 March 1921, no. 29, to Taylor for ,3,000 [bought in]); by inheritance to;
Christopher Sandford, Eye Manor, Hertfordshire (Sotheby's, 5 July 1967, no. 35 for ,5,800 to).
William J. Middendorf, New York & The Hague.
[Edward Speelman Ltd., London];
The Norton Simon Foundation.
Exhibition of Dutch Art 1450 - 1900
- Royal Academy of Arts (Great Britain), 1929-01 to 1929-03
- Sumowski, Werner, Gemälde der Rembrandt-Schüler,no. 1439 pp. 1906, 1964, 2035, 2165
- Gaskell, Ivan, Seventeenth-Century Dutch and Flemish Painting in the Thyssen-Bornemisza Collection,fig. 1, no. 2 p. 170
- Staring, A., Oud-Holland,fig. 1 pp. 169-171, 179
- Robinson, William W., Rembrandt and his Pupils. Papers Given at a Symposium in the Nationalmuseum, Stockholm, 2-3 October 1992, pp. 101-102
- Masterpieces from the Norton Simon Museum, p. 83
- Hochstrasser, Julie Berger, Still Life and Trade in the Dutch Golden Age,2007, fig. 80 p. 146
- Gerson, Horst, The Connoisseur,Fig. 6 p. 52
- Campbell, Sara, Collector Without Walls: Norton Simon and His Hunt for the Best,2010, cat. 790 p. 339
- Norton Simon Museum, Selected Paintings at the Norton Simon Museum,1980, p. 52
- A. van Suchtelen, B. Cornelis, Nicolaes Maes,2019, fig. 12 p. 17; p. 20 (ill.)
- Neale, J. P., Views of the Seats of Noblemen and Gentlemen in England, Wales, Scotland and Ireland,
- Sutton, Peter C., A Guide to Dutch Art in America, p. 216 ff
- Royal Academy of Arts, London, Exhibition of Dutch Art 1450-1900,no. 349 p. 165
Image reproduction permission may be granted for scholarly or arts related commercial use. All image requests, regardless of their intended purpose, should be submitted via the reproduction request form.
Images may be protected by copyright and other intellectual property rights. Additional permission may be required.
Approved requests for the reproduction of an image will receive a contract detailing all fees and conditions of use of the image. Upon receipt of both the signed contract and full payment, the Office of Rights and Reproductions will provide the image. A complimentary copy of the published material must be provided to the Norton Simon Museum.