In his dance of bliss (ananda tandava), Shiva displays both destructive and regenerative powers. He holds in his right hand a double-sided drum, representing creation; in his left hand is the fire of destruction and transformation, exemplifying his role as the destroyer at the end of each world age. This balance of power takes place during Shiva’s dance, which the sculptor depicts in dramatic fashion. Shiva stands on his bent right leg, while his left leg and foot are raised across his body. So vigorous is Shiva’s dancing that his locks of matted hair become loosened from their once-tight formation, allowing the goddess Ganga to be caught in his hair before bringing forth the water of life to earth and avoiding a torrential deluge. Shiva as the Lord of Dance (Nataraja) is an iconic form rich with symbolic meaning.
- Title: Shiva as Lord of Dance (Nataraja)
- Date: c. 1000
- Medium: Bronze
- Dimensions: overall: 31-3/4 x 24 x 9-1/2 in. (80.6 x 61 x 24.1 cm)
- Credit Line: The Norton Simon Foundation
- Accession Number: F.1973.05.S
- Copyright: © The Norton Simon Foundation
- Dehejia, Vidya, The Thief Who Stole My Heart: The Material Life of Chola Bronzes from South India, c. 855-1280,2021, 4.20 (a, b) p. 122
- Dehejia, Vidya, Asian Art: Selections from the Norton Simon Museum,fig. 9 p. 42
- Dehejia, Vidya, The Thief Who Stole My Heart: The Material Life of Chola Bronzes from South India, c. 855-1280,2021, 4.22 (a, b) p. 124
- Lerner, Martin, Chhavi-2, pp. 110-111
- Barret, Douglas, Marg, pp. 82-90
- Pal, Pratapaditya, Asian Art at the Norton Simon Museum, Volume 1: Art from the Indian Subcontinent,no. 171a pp. 234-239
- Pal, Pratapaditya, Marg,fig. 13 pp. 61, 65
- Offerman, Joni, Nataraja--a living tradition in the U.S. (Video for Master's thesis, for educational distribution and personal use only, not for commercial sale or reproduction),
- Pal, Pratapaditya, American Collectors of Asian Art,fig. 13 pp. 125, 129
- Campbell, Sara, Collector Without Walls: Norton Simon and His Hunt for the Best,2010, cat. 925 p. 352
- Knoke, Christine, Minerva,fig. 14 p. 30
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