Although Giacometti had made his name as a member of the Surrealist circle during the 1920s and 1930s, in the wake of the Second World War, his work took an abrupt turn as he began producing the gaunt, elongated figures for which he is best remembered today. Describing his postwar approach, the sculptor remarked, “All is transformed into a tensely stretched form which always seems to me a kind of extremely restrained violence.” Giacometti nevertheless rejected speculation that seemingly starved, charred bodies like the one depicted here were intended as a response to recently published photographs of concentration-camp victims. He pointed instead to ancient Egyptian funerary sculpture—hieratic figures, frozen midstride—as the prime source of inspiration for his monumental revenants.
- Artist Name: Alberto Giacometti (Swiss, 1901-1966)
- Title: Tall Figure IV
- Date: 1960
- Medium: Bronze
- Edition: Edition of 6, Cast No. 1
- Dimensions: 106-1/2 x 12 x 22 in. (270.5 x 30.5 x 55.9 cm)
- Credit Line: Norton Simon Art Foundation
- Accession Number: M.1965.1.S
- Copyright: Art © 2017 Alberto Giacometti Estate/Licensed by VAGA and ARS, New York, NY Reproduction, including downloading of ARS works is prohibited by copyright laws and international conventions without the express written permission of Artists Rights Society (ARS), New York
- Selz, Peter, Alberto Giacometti,no. 67 pp. 72-73, 116
- Campbell, Sara, Collector Without Walls: Norton Simon and His Hunt for the Best,2010, cat. 290 pp. 280-281
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