Henri-Horace Roland de la Porte, who studied with Jean-Baptiste Oudry, is frequently cited as a close follower of Chardin. In fact, his brushwork is dryer and more meticulous than Chardin’s. Roland de la Porte did follow his illustrious rival in his choice of everyday objects. The same is true for the light source, which comes from the upper left, and throws the objects into relief as it highlights them against an indistinct background. In his still lifes, he brought the Rococo paradox—the suggestion of extravagance and informality accomplished with meticulous technique—to its zenith.
- Artist Name: Henri-Horace Roland de la Porte (French, c.1724-1793)
- Title: Still Life
- Date: c. 1765
- Medium: Oil on canvas
- Dimensions: 20-7/8 x 25-1/2 in. (53 x 64.8 cm)
- Credit Line: Norton Simon Art Foundation
- Accession Number: M.1968.48.P
- Copyright: © Norton Simon Art Foundation
[Old Masters Galleries, London, offered 16 October 1968 and subsequently sold November/December 1968 to];
Norton Simon Art Foundation.
Reinstallation of Galleries: Art History of the 17th and 18th Century Gains Fresh Dimension
- Norton Simon Museum, 1993-09-02 to 1995-08-13
- Diderot, Denis, Salons,no. 104 p. 33
- Faré, Michel, La Nature Morte en France: Son histoire et son évolution du XVIIe au XXe siècle,vol. I, p. 167; vol II, fig. 375 p. 167
- Campbell, Sara, Collector Without Walls: Norton Simon and His Hunt for the Best,2010, cat. 561 p. 312
- Masterpieces from the Norton Simon Museum,1989, p. 92
- Diderot, D., Salons,no. 104 p. 142-143
- Connaissance des Arts, p. 141
- Bukdahl, Else Marie, Studies on Voltaire and the Eighteenth Century,fig. 14 pp. 344, 348
- Faré, Michel; and Fabrice Faré, La vie silencieuse en France: La Nature Morte au XVIII siècle,fig. 280 p. 187
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