An officially sanctioned and commercially successful artist of the late nineteenth century, Puvis de Chavannes nonetheless inspired admiration among the radical artists of the Nabi generation—particularly Denis, Bonnard, and Vuillard. This triptych revisits at reduced scale an enormous mural he painted between 1874 and 1879 at the Parisian church of Sainte Geneviève (today known as the Panthéon). The scene takes place in fifth-century France; Genevieve, the young girl at the center of the composition, is recognized as the future patron saint of Paris by the bishop Saint Germain of Auxerre. An inscription below tells the story, but the clarity and simplicity of design render this explanation superfluous. Matte as a fresco and bordered, like a tapestry, with leafy garlands, Puvis’s monumental decoration provided inspiration for Vuillard’s large-scale decorative paintings two decades later.
- Artist Name: Pierre-Cécile Puvis de Chavannes (French, 1824-1898)
- Title: The Pastoral Life of Saint Geneviève
- Date: 1879
- Medium: Oil on canvas, triptych
- Dimensions: Left (Panel A): 53 x 32-1/4 in. (134.6 x 81.9 cm), Center (Panel B): 53 x 35-1/8 in. (134.6 x 89.2 cm), Right (Panel C): 52-3/4 x 32-1/4 (134 x 81.9 cm)
- Credit Line: Norton Simon Art Foundation
- Accession Number: M.1968.49.P
- Copyright: © Norton Simon Art Foundation
Catholina Lambert, Patterson (1834-1923), New Jersey (sale, New York, Plaza Hotel, 21-24 February 1916, lot 186, to);
F. von Hellman [for?];
“I. Johns,” (presumably John Quinn)
John Quinn (1870-1924), New York.
Mr. and Mrs. James Byrne, deposited 18 June 1923 with;
[Durand-Ruel, Paris, for sale 14 January 1924 to;]
Art Institute of Chicago, until 1955.
[E. & A. Silberman Galleries, New York].
Huntington Hartford Collection, Gallery of Modern Art, New York; by 1963; sold 30 January 1968 to;
[Hirschl & Adler Galleries Inc., New York; stock no. 5154-A/B/C; offered 15 May 1968 and subsequently sold 10 July 1968 to];
Norton Simon Art Foundation.
Puvis de Chavannes Public and Private Works
- Unlinked Name, to
Art Institute of Chicago, A Guide to Paintings in the Permanent Collection, pp. 55-57
Yriarte, C., Gazette des Beaux-Arts, pp. 694-695
Thompson, Richard, The Burlington Magazine, pp. 476-478
Bulletin of the Minneapolis Institute of Arts, pp. 44-46
Michel, André and Jean Laran, Puvis de Chavannes, pp. 41-44
Masterpieces from the Norton Simon Museum, p. 173
Venturi, Archives, p. 95
Bulletin of the Metropolitan Museum of Art, p. 134
Brettell, Richard R. and Stephen F. Eisenman, Nineteenth-Century Art in the Norton Simon Museum, volume 1,
Argencourt, L.; and J Foucart, Puvis de Chavannes, under nos. 114, 120 pp. 9, 136, 138-139
Bulletin of the Art Institute of Chicago,
Campbell, Sara, Collector Without Walls: Norton Simon and His Hunt for the Best, cat. 508 p. 305
Boucher, M. C., Catalogue des dessins peintures de Puvis de Chavannes, under nos. 74, 77 pp. 64, 66
L. C., Bulletin of the Art Institute of Chicago, pp. 117-120
Trudzinski, M., Die Italienische und Französischen Handzeichnungen im Kupferstichkabinett der Landesgalerie, p. 222
Anonymous, Art News, p. 1
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