With its startlingly faceted features, Head of Fernande is considered the first Cubist sculpture. The bust is loosely based on Fernande Olivier, Picasso’s lover and muse, who inspired him to produce an astonishing sixty works of art during a particularly prolific period in 1909. Picasso modeled the original head in clay, alternating between building up mass and paring it away. This duality of process is preserved in the bronze cast of the sculpture seen here, as Fernande’s facial features emerge and are obliterated by bulges, gouges, ridges and recesses. No two elements are alike: notice the eyebrows, one of which is incised while the other protrudes in relief. Picasso employed these oppositions to animate the perception of his work. As he explained years later, “I want to draw the mind in a direction it’s not used to and wake it up. I want to help the viewer discover something he wouldn’t have discovered without me.”
After Head of Fernande was cast in bronze (beginning in 1910, with a second edition in 1960) it was widely exhibited and published. Picasso’s fragmentation of form influenced a generation of sculptors, including Jacques Lipchitz, whose Bather III is also on view in this gallery.
- Artist Name: Pablo Picasso (Spanish, 1881-1973)
- Title: Head of Fernande
- Date: 1909; cast 1960
- Medium: Bronze
- Edition: Edition of 9, Cast No. 3
- Dimensions: 16-1/4 x 9-1/2 x 10-1/4 in. (41.3 x 24.1 x 26 cm)
- Credit Line: Norton Simon Art Foundation
- Accession Number: M.1969.07.S
- Copyright: © Estate of Pablo Picasso / Artists Rights Society (ARS), New York
Picasso: Graphic Magician, Prints from the Norton Simon Museum
- Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, 1999-01-24 to 1999-03-28
- Toledo Museum of Art, 1999-11-07 to 2000-01-16
- Norton Simon Museum, 2000-04-12 to 2000-09-04
University A Princeton Quarterly 1974,
Campbell, Sara, Collector Without Walls: Norton Simon and His Hunt for the Best, cat. 572 p. 314
Zervos, Christian, Pablo Picasso: Oeuvres de 1906 a 1912, pt. I, no. 573, pl. 266
Madeline, Laurence, Picasso 1932, CAT. 59 p. 98
Tate Gallery, Picasso: Sculpture, Ceramics, Graphic Works, p. 30
Selections from the Norton Simon, Inc. Museum of Art, no. 86 p. 231
Tancock, John, The Connoisseur, fig. 6 pp. 238-240
Additional Artwork by Artist
Image reproduction permission may be granted for scholarly or arts related commercial use. All image requests, regardless of their intended purpose, should be submitted via the reproduction request form.
Images may be protected by copyright and other intellectual property rights. Additional permission may be required.
Approved requests for the reproduction of an image will receive a contract detailing all fees and conditions of use of the image. Upon receipt of both the signed contract and full payment, the Office of Rights and Reproductions will provide the image. A complimentary copy of the published material must be provided to the Norton Simon Museum.