Hepworth possessed a remarkable ability to conjure organic form from inorganic materials and a uniquely keen sense of spatial relationships. Rounding contours, piercing forms, playing with scale and arrangement, her work explores the embodied relationship between object and observer. In this late sculpture, white marble veined with gray is transformed into a cast of sea-smoothed creatures. Hepworth gave each of them a name: the two tallest shapes are known as Sea Mother and Sea King; the row ranged before them, as Shell, Sea Form and Young, and Rolled Sea Form; and the two small figures, as Embryo and Sea Bird. Ranged on a low, circular pedestal, these form a composition that can be viewed from every angle, quietly inhabiting the onlooker’s space.
- Artist Name: Barbara Hepworth (English, 1903-1975)
- Title: Assembly of Sea Forms
- Date: 1972
- Medium: White marble, mounted on stainless steel base
- Dimensions: overall: 42-1/2 in. h. (108 cm); 72 in. diameter (182.9 cm)
- Credit Line: Norton Simon Art Foundation
- Accession Number: M.1974.12.1a-h.S
- Copyright: © Bowness, Hepworth Estate
- Bowness, A., Barbara Hepworth: A Pictorial Autobiography,no. 347 p. 131
- Hubbard, G., Art at Auction, p. 71
- Asher, Gerald, Gourmet Magazine, p. 62
- Elements and Principals of Design, p. 8
- Reilly, Richard, San Diego Union, p. E-10
- Marlborough Gallery, Barbara Hepworth-Conversations,no. 13 pp. 11, 38-39
- Brommer, G., Discovering Art History, pp. 492-493
- Campbell, Sara, Collector Without Walls: Norton Simon and His Hunt for the Best,2010, cat. 1082 p. 370
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