Woman in a Moorish Costume
1869
Jean-Frédéric Bazille (French, 1841-1870)
On View

Lise Tréhot, Renoir’s first mistress, model, and muse, is here depicted with quiet eroticism by that artist’s friend and colleague, Bazille. Dressed in North African costume, Tréhot poses in the Left Bank studio that Bazille and Renoir shared in the late 1860s. Among the most promising members of the Parisian avant-garde, Bazille did not live to see the flowering of Impressionism in the following decade. Like Manet and Degas, he enlisted in the French national guard during the Franco-Prussian War, but Bazille was killed in action on November 28, 1870.

Details

  • Artist Name: Jean-Frédéric Bazille (French, 1841-1870)
  • Title: Woman in a Moorish Costume
  • Date: 1869
  • Medium: Oil on canvas
  • Dimensions: 39 1/4 x 23 1/4 in. (99.7 x 59 cm)
  • Credit Line: Norton Simon Art Foundation
  • Accession Number: M.1997.2.P
  • Copyright: © Norton Simon Art Foundation

Object Information

Marc Bazille (the artist’s brother 1845-1923), by inheritance to;
Mme. Meynier de Salinelles, Montpellier, by 1941, by inheritance to;
Mme. Penchinat [or Pinchinat] de Salinelles, Nimes, by 1959 (sale, Paris, Palais Galliera, 14 June 1967, unnumbered lot).
[E. V. Thaw & Co., Inc., New York, sold 1969 to];
The Norton Simon Foundation, transferred 1997 to;
Norton Simon Art Foundation.

Exposition rétrospective d'oeuvres de Frédéric Bazille

  • Paris, Salon d'Automne, 1910-10-01 to 1910-11-08

Rétrospective Bazille

  • Montpellier, Expsition Internationale, 1927-05 to 1927-06

Exposition Frédéric Bazille, 1841-1870

  • Association des étudiants protestants, 1935 to

Centenaire de Frédéric Bazille

  • Montpellier, Musée Fabre, 1941-05 to 1941-06

Bazille. Exposition organisée au profit du Musée de Montpellier

  • Wildenstein & Co. (Paris, France), 1950-06 to 1950-07

Frédéric Bazille, Exposition organisée en l'honneur du XVIIme Congrés de l'Association des pédiatres de Langue française

  • Montpellier, Musée Fabre, 1959-10-13 to 1959-10-31

[on loan]

  • Phoenix, Phoenix Art Museum, 1970-02-20 to 1970-06-18

[on loan]

  • Los Angeles County Museum of Art, 1970-06-19 to 1971-11-15

[on loan]

  • Toledo, The Toledo Museum of Art, 1971-11-16 to 1973-03-06

Frédéric Bazille and Early Impressionism

  • Art Institute of Chicago, 1978-03-04 to 1978-04-30

Matisse/Odalisque

  • Norton Simon Museum, 2019-02-22 to 2019-06-17

[on loan]

  • High Museum of Art, 1980-11-20 to 1981-08-05

Three Centuries of French Art: Selections from The Norton Simon, Inc. Museum of Art and The Norton Simon Foundation_1

  • California Palace of the Legion of Honor, 1973-05-03 to 1976-06-15
  • Laprade, Jacques de, Beaux-Arts, no. 117 pp. 1, 8
  • Daulte, François, Arts,
  • Salon d'Automne, Exposition rétrospective d'oeuvres de Frédéric Bazille, 1910, no. 18
  • Hamel, L., Les Arts, 1912, p. 13
  • Exposition Internationale, Rétrospective Bazille, 1927, no. 30
  • Poulain, Gaston, Bazille et ses amis, 1932, no. 34 pp. 134-136, 217
  • Dolan, Thérèse, Gazette de Beaux-Arts, 1935, fig. 1 pp. 99-103
  • Association de étudiants protestants, Exposition Frédéric Bazille, 1841-1870, 1935, no. 4
  • Musée Fabre, Centenaire de Frédéric Bazille, 1941, no. 30
  • Guérif, J., A la recherche d'une esthetique protestante: Frédéric Bazille, 1943, p. 24
  • Sarraute, Gabriel, Catalogue de l'oeuvre de Frédéric Bazille, 1948, no. 34 pp. 81-82
  • Daulte, François, Frédéric Bazille et son temps, 1952, no. 45 pp. 69, 129, 143, 150, 184-185
  • Bezombes, Roger, L'Exotisme dans l'art et la pensée, 1953, no. 302 pp. 103, 185
  • Daulte, François, Connaissance des Arts, 1988, no. 226 p. 88
  • Masterpieces from the Norton Simon Museum, 1989, p. 127
  • Michel, François-Bernard, Frédéric Bazille. Reflexions sur la peinture, la médicine, le paysage et le portrait . . ., 1992, pp. 247-248
  • Marandel, Jean-Patrice, Frédéric Bazille: Prophet of Impressionism, 1992, fig. 30 pp. 66-67, 75, 163
  • Daulte, François, Frédéric Bazille et les débuts de l'impressionisme: catalogue raisonné de l'oeuvre de peint, 1992, no. 50 pp. 68, 69, 122, 125, 134, 137, 143, 175-176
  • Bajou-Charpentreau, Valérie M., Frédéric Bazille 1841-1870, 1993, fig. 89, x-ray pp. 163, 172-173
  • Bonafoux, Pascal, Bazille: Les plaisirs et les jours, 1994, pp. 48-49
  • Schulman, Michel, Frédéric Bazille 1841-1870: Catalogue raisonné. Peintures-Dessins, pastels, aquarelles. Sa vie, son oeuvre, sa correspondence, 1995, no. 49, x- ray pp. 189-190
  • Pitman, Dianne W., Bazille: Purity, Pose, and Painting in the 1860s, 1998, no. 4, fig. 111 pp. 169-170, 178-179, 261
  • DelPlato, Joan, Multiple Wives, Multiple Pleasures: Representing the Harem, 1800-1875, 2002, fig. 7.3 p. 233, 235
  • Brettell, Richard R. and Stephen F. Eisenman, Nineteenth-Century Art in the Norton Simon Museum, volume 1, 2006,
  • Campbell, Sara, Collector Without Walls: Norton Simon and His Hunt for the Best, 2010, cat. 709 p. 330
  • collective under the direction of Michel Hilaire and Paul Perrin, Frédéric Bazille (1841-1870) and the Birth of Impressionism, 2016, fig. 16 pp. 39, 40, 159, 237, 285 ; 40 (ill.)
  • Michel Schulman, Jean-Frédéric Bazille, 2022, https://www.bazille-catalogue.com/woman-in-a-moorish-costume-49.html
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