Irwin's disc paintings of 1966-69 erase the distinction between painting and sculpture. The subtly sprayed, convex discs are lit with low-intensity spotlights, which dematerialize their edges. Free-floating apparitions without visible support, the discs fuse with their background and the surrounding ambience. These works invite viewers to contemplate an indefinite, glowing composite of light and shadow that suggests pure energy rather than form or image.
- Artist Name: Robert Irwin (American, 1928-)
- Title: Untitled
- Date: 1967-68
- Medium: Acrylic lacquer on formed acrylic plastic (with central band)
- Dimensions: 54 in. diameter (137.2 cm)
- Credit Line: Norton Simon Museum, Museum Purchase, Fellows Acquisition Fund
- Accession Number: P.1969.065
- Copyright: © 2017 Robert Irwin / Artists Rights Society (ARS), New York Reproduction, including downloading of ARS works is prohibited by copyright laws and international conventions without the express written permission of Artists Rights Society (ARS), New York
Fellows of the Pasadena Art Museum, given 1969/06/04 to;
Pasadena Art Museum, Pasadena, 1969-1975;
Norton Simon Museum, Pasadena.
American Art of the 1960s from the Norton Simon Museum
- Los Angeles, The Temporary Contemporary, 1990-03-13 to 1990-06-13
- Museum of Contemporary Art (Los Angeles, Calif.), 1988-10-04 to 1989-02-05
- Pasadena Art Museum, West Coast 1945-1969,
- The Museum of Contemporary Art, Los Angeles, Robert Irwin, pp. 117, 192
- Musée d' Art Moderne de la Ville de Paris, Robert Irwin, pp. 81, 90
- Humblet, Claudine, La Nouvelle Abstraction Américaine 1950-1970,2003, Vol. III p. 1649
- Armory Center for the Arts/Art Center College of Design, Radical Past: Contemporary Art & Music in Pasadena, 1960-1974, pp. 53, 108
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