Beyond the World We Know: Abstraction in Photography
In the 20th century, photographers faced a fundamental quandary. On the one hand, their medium was esteemed precisely for its ability to record what the eye saw. On the other hand, photographers, like painters and sculptors, sought new approaches to advance their picture making. Abstraction as a nonrepresentational, visual language played a significant role in bending the conventional expectations of a medium unquestionably suited to describe people, places and objects. Beyond the World We Know: Abstraction in Photography presents the work of 16 artists who embraced a new goal for their practice: to loosen the grip of realism and demonstrate photography’s ability to suggest something other than itself, to serve as a conduit for visual metaphor and personal expression.