- Édouard Manet (French, 1832-1883)
- c. 1865-1870
- Oil on canvas
- 76-3/4 x 51-1/2 in. (194.9 x 130.8 cm)
- Credit Line:
- The Norton Simon Foundation
- Accession Number:
- © The Norton Simon Foundation
During the 1860s, Manet undertook a series of pictures portraying street characters from the neighborhood of vacant lots and construction sites that surrounded his studio. Perhaps the masterpiece of the series, the Ragpicker (or Chiffonnier) represents the nineteenth-century equivalent of today’s homeless man pushing a shopping cart full of tin cans. With a stick in hand and a sack slung over his shoulder, the chiffonnier salvages rags from the garbage for sale to paper manufacturers. Ragpickers were a source of fascination—and sometimes fear—in nineteenth-century Paris: emblems of the modern city and those it had left behind.
The artist, sold 1871-72 for Ff. 1000 to;
[Durand-Ruel, Paris, for Ff. 1500 to];
Ernest Hoschedé (1837-1890), Paris (sale, Paris, Hôtel Drouot, 5-6 June 1878, lot 45, as Le Mendiant, for Ff. 800 to);
Fernand Crouan, Nantes, by 1884.
Adolf Rothermundt, Blasewitz (near Dresden), by 1906-1921.
[Paul Cassirer, Berlin].
Josef Stransky (1872-1936), New York, 1921.
Adolph Lewisohn (d. 1938), New York, by 1926, to;
[Wildenstein & Co., New York and Paris, by 1931].
[Wildenstein & Co., New York, reacquired ca. 1950, later sold to];
H., Geneva (Mr. Schlepfer), by 1964 until at least 1967;
[Wildenstein & Co., New York, sold March, 1968 to];
The Norton Simon Foundation.
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