At Renoir's Home, rue St-Georges (formerly The Artist's Studio, rue St.-Georges)
Pierre-Auguste Renoir (French, 1841-1919)
On View

Renoir's portrait records an informal gathering of friends and colleagues at his home in Montmartre. The central figure holding a paperback and leading the discussion is Georges Rivière, an art critic and early biographer of Renoir. The bald, bearded man partially hidden to the right is Camille Pissarro, another member of the Impressionist group. Less certain are the names of the other three figures, who have been variously identified as painters, a writer, a philosopher, and a composer. Their pensive poses and expressions belie the spontaneous, animated brushwork Renoir used to describe them.


  • Artist Name: Pierre-Auguste Renoir (French, 1841-1919)
  • Title: At Renoir's Home, rue St-Georges (formerly The Artist's Studio, rue St.-Georges)
  • Date: 1876
  • Medium: Oil on canvas
  • Dimensions: 18-1/8 x 15 in. (46 x 38.1 cm)
  • Credit Line: Norton Simon Art Foundation
  • Accession Number: M.1978.13.1.P
  • Copyright: © Norton Simon Art Foundation

Object Information

Eugène Murer, Paris, sold in 1896 to;
Dr. George Viau, Paris (sale, Paris, Galeries Durand-Ruel, 4 March 1907, lot 64, for FF 4,900);
[Durand-Ruel, Paris].
M. Hocquard, Paris.
Antonio Santamarina, Buenos Aires, by 1933 (sale, London, Sotheby’s, 2 April 1974, lot 15);
[P. & D. Colnaghi, London];
Norton Simon Art Foundation.

Magnifique collection d'impressionistes dont 30 toiles de Renoir

  • Rouen, Hotel du Dauphin et d'Espagne, 1896-05 to 1896-05
  • White, Barbara Ehrlich, Renoir: His Life, Art and Letters, pp. 74, 81
  • Campbell, Sara, Collector Without Walls: Norton Simon and His Hunt for the Best,2010, cat. 1522 p. 416
  • Alexis, Paul; and Trublot, Le Cri du Peuple,
  • Rewald, John, The History of Impressionism, p. 382
  • Gaussen, Frédéric, Visites d'Ateliers, pp. 97-101
  • Jedlicka, Gotthard, Renoir,no. 27
  • Shimada, N., The Artists who left the Great Works, p. 15
  • Vollard, Amboise, La vie et l'oeuvre de Pierre-Auguste Renoir, p. 82
  • Daulte, François, Auguste Renoir: Catalogue raisonné de l'oeuvre peint,no. 188
  • Gaussen, Frédéric, Le Monde, pp. 1, 8
  • Chamson, André, Renoir,no. 17
  • Bonafoux, Pascal, The Impressionists: Portraits and Confidences, p. 190, 124
  • Rivière, Georges, Renoir et ses amis, pp. 61-62, 80, 111, 116, opp. p. 62
  • I geni dell'arte: Renoir, p. 109
  • Dauberville, Guy-Patrice and Michel Dauberville, Renoir: Catalogue Raisonné des Tableaux, Pastels, Dessins et Aquarelles,2007, cat. 233 p. 277
  • Berr de Turnique, Marcelle, Renoir,fig. 16
  • Renoir: A Retrospective,pl. 58 pp. 172, 361
  • Meier-Graefe, Julius, Renoir,no. 80 p. 128
  • Delage, Roger, Iconographie musicale Chambrier,fig. 28 p. 58
  • Brettell, Richard R. and Stephen F. Eisenman, Nineteenth-Century Art in the Norton Simon Museum, volume 1,2006,
  • Gaunt, William, Renoir,fig. 16
  • Monneret, Sophie, Renoir, p. 66
  • Santamarina, Antonio, Magazine of Art, p. 55
  • Lloyd, Christopher, Camille Pissarro, pp. 38-39
  • Alsdorf, Bridget, Fellow Men: Fantin-Latour and the Problem of the Group in Nineteenth-Century French Painting,2012, Plate 33
  • Drucker, Michel, Renoir,no. 35 p. 150
  • Bailey, Colin B., Renoir's Portraits: Impressions of an Age,fig. 18 pp. 15, 16, 51
  • Drucker, Michel, Renoir,no. 40 p. 199
  • Gaunt, William, Renoir,no. 21
  • Hrsg. Kunstmuseum Basel, Renoir: Between Bohemia and Bourgeoisie: The Early Years,2012, Fig. 85 p. 297
  • Masterpieces from the Norton Simon Museum,1989, p. 133
  • Gachet, Paul, Deux amis des Impressionnistes: Le docteur Gachet et Murer,fig. 17 pp. 156-157, 164, 170, 172, 176-177
  • Néret, Gilles, Renoir: Painter of Happiness, 1841-1919, p. 189
  • Rewald, John, The History of Impressionism, p. 307
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Additional Artwork by Artist

Bouquet of Lilacs Pierre-Auguste Renoir 1875-1880
Nude Pierre-Auguste Renoir c.1872
Reclining Nude Pierre-Auguste Renoir c. 1892

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